StokerCon 2019 Schedule

Screen Shot 2019-05-07 at 11.49.58 AMTwo more days until Grand Rapids! Despite the hefty grading pile haunting me, I am really looking forward to StokerCon 2019.

There are basically panels every hour that I want to go to, but we will see what’s humanly possible. Otherwise, here’s my StokerCon schedule for the things I’ll 100% be at. Come say hi! I’m ridiculously excited to see everyone…and okay, for the ice cream social, too. I’m still comprehending that I’m nominated for a Stoker, but you know I’m beyond excited to be at the banquet, too!

Thursday:
*Find me wandering around, braindead from the amount of grading I did this week, probably wherever there’s a bar; I may be hysterically excited to see some of my grad friends at this time (fair warning)

Friday:
10:00am, Emerald Room: I’m moderating a SUPERSTAR-filled panel for Historical Horror: Kathleen Kaufman, Lisa Kroger, Lisa Morton, Alma Katsu, Kevin Wetmore, Jr. (like seriously these people are amazing and I can’t wait to interrogate them)

3:00pm, Winchester Room; Reading Block with Donna Lynch, Saba Razvi, and myself (will it rock? YES.)5:00-6:30pm, Crown Foyer BOOKS AND ICE CREAM; I’ll bring copies of things and sign things. Will people buy them? I don’t know but there will be ice cream, so it’s all good.

Saturday:
12:00-1:00pm, Grand View Room B-C; Weird Poetry panel moderated by David Cowen; I’ll be on here with these amazing poets: Mary Turzillo, Randy Rubin, Donna Lynch, Marge Simon, Frank Coffman

nominee

7:00-10:00pm, Bram Stoker Awards and Banquet (yay!)

 

 

Sunday:
*Crying because it’s over; stumbling downstairs in the morning to the hotel’s Starbucks; telling everyone I love them

To Be Devoured

The pre-orders for my debut novella, To Be Devoured, are now live on Amazon here! All other versions will be available when the book is out on July 29th from Unnerving.

To Be Devoured-2

From the back cover:

What does carrion taste like? Andi has to know. The vultures circling outside her home taunt and invite her to come understand the secrets hiding in their banquet of decay. Fascination morphs into an obsessive need to know what the vultures know. Andi turns to Dr. Fawning, but even the therapist cannot help Andi comprehend the secrets she’s buried beneath her anger-induced blackouts.

Her girlfriend, Luna, tries to help Andi battle her inner darkness and infatuation with the vultures. However, the desire to taste dead flesh, to stitch together wings of her own and become one with the flock sends Andi down a twisted, unforgivable path. Once she understands the secrets the vultures conceal, she must decide between abandoning the birds of prey or risk turning her loved ones into nothing more than meals to be devoured.

 

 

 

 

 

 

 

Open Call: Infection Poetry

Calling all speculative poets! I am so excited to be guest editing an issue of Eye to the Telescope. My theme is INFECTION. Check out the guidelines here and submit your deadly contagions and viruses. Please read the guidelines carefully — The INFECTION issue’s open call ends June 15 before a different editor and a different theme take over for the next round!

Eye to the Telescope 33, Infection, will be edited by Sara Tantlinger.

Screen Shot 2019-04-28 at 6.23.47 PMInfection is defined as an invasion of an organism’s body tissue, or the presence of a virus within a system. These disease-causing agents and their spreading toxins can lurk anywhere, whether at the bottom of a deadly swamp, floating in space, or perhaps already waiting in the body for the right time to conquer their host. Send me your diseases and pathogens, whether it’s an Earthly virus or from the realms and stars beyond. Tell me about the bacteria lurking beneath your skin, the sticky sickness deep in your gut, or how the infection of love drove you to madness.

Any format of speculative poetry is welcome—free verse, formal verse, etc. are all wonderful as long as the ideas are original, evocative, and send an infectious idea into my brain that I can’t stop thinking about. Get creative with those contagious agents using bodies as homes or breeding grounds, and really make me think about what kind of suffering and darkness they can inflict.

See full guidelines here

Character Poems by EL 231

For National Poetry Month I had my Popular Fiction undergraduate students write a poem from the POV of any of the characters from the books we’ve read so far:

A Study in Charlotte by Brittany Cavallaro
Indigo by Beverly Jenkins
American Gods by Neil Gaiman
Carrie by Stephen King

I adored their poems and asked if I could share them — about half the class gave me permission to share their work, so I am thrilled! I hope you enjoy reading the creative works from these young writers as much as I did. Click the link below to view the PDF!

EL 231 Student Poems: Click Me!

National Poetry Month Guest Post: Sara Tantlinger — Ladies of Horror Fiction

Killing the Tortured Artist By Sara Tantlinger Merriam-Webster’s Dictionary defines poetry as “writing that formulates a concentrated imaginative awareness of experience in language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm.” Poetry is about how we experience life, whether the poems are personal or taking on a fictional arc…

via National Poetry Month Guest Post: Sara Tantlinger — Ladies of Horror Fiction

WiHM, Not All Monsters, and More, Oh My!

Screen Shot 2019-02-27 at 6.22.45 PMThis month I was really lucky to feature nine incredible ladies of horror and their work. I had intended to feature 10 ladies to echo the decade mark for Women in Horror Month’s existence, but unfortunately my last guest had some scheduling conflicts, so rather than scrambling and begging someone to do a last minute interview, I decided to write something up myself!

If you missed the nine interviews, please check them out here because holy smokes, these ladies are up to some incredible, wicked works that you don’t want to miss. A huge thank you to everyone who took time out of their schedules to join me and share more about their work, processes, identity, and more.

In addition to the interviews, I wrapped up some final decisions for the Not All Monsters anthology this month (to be published in 2020 with StrangeHouse Books). The listing is now closed, but if you’re curious about the info/theme, I’ll link it here. The anthology wasScreen Shot 2019-02-27 at 6.39.02 PM an open call for women who write horror, and I am pleased to say I received nearly 300 submissions from all across the globe! That’s a lot of badass ladies writing amazing, vicious, gorgeous, darkly beautiful stories out there.

*Side note — if you submitted to the open call awhile ago and have heard nothing back, keep an eye out. We have decided to send out the acceptances in batches in an effort to keep the book fresh in peoples’ minds since the publication won’t be until 2020. Read more about that on the publisher’s post here.

This anthology was without a doubt the biggest thing I have been an editor for to-date, and I loved it! I hope I have the opportunity to edit more things like it in the future. Here are some things I learned so far, but it’s not over yet:

*Sending out rejections is AWFUL and I hate it…but it’s a necessary part of the job. I also think most people understand that it isn’t personal, it’s all professional and based on what works best for the theme/anthology/goes with the other stories without being too similar, etc…

*Reading that many stories IS overwhelming, and I think I will adapt a better method the next time I do this

*However, seeing the creativity and different way women approached this theme was amazing

*There were a lot of similar themes based around abuse and other trauma in the stories that was heartbreaking because I just knew that so many of those writers had probably experienced something in their own life that may have led to bleeding out some cathartic remedy onto the page. So if you submitted, no matter what happens with your story, I hope you were able to purge some of the bad out and breathe a little easier. You are brave, and amazing, and I love you.

*Women are incredible. But you and I already knew that 🙂 And if anyone ever complains that there aren’t enough women writing horror out there, send them to me. I know about 300 women who are.

February has been a heavy social media month for me, and I think I’m due for a break to work on some of my own projects. Until then, happy writing. Let’s celebrate women in horror all year long!

 

Interview: Sara Tantlinger on Serial Killer H.H. Holmes, Writing Poetry, and Why We Love Horror #HookonWiHM #WIHMX — Oh, for the HOOK of a BOOK!

Today is the second part of a two-part interview I’ve conducted with horror writer and poet Sara Tantlinger, the first being about writing and publishing at The Horror Tree, a site that focuses on being a horror author’s resource. Additionally, I had this interview scheduled and ready to post today as part of my #HookonWiHM […]

via Interview: Sara Tantlinger on Serial Killer H.H. Holmes, Writing Poetry, and Why We Love Horror #HookonWiHM #WIHMX — Oh, for the HOOK of a BOOK!