WiHM: NOT ALL MONSTERS Roundtable Part IV

Welcome back to the fourth and final roundtable question! Thank you SO much to the authors behind Not All Monsters for sharing their ideas, insights, and inspirations! Check out all the roundtable questions here.

How do you think being a writer has helped you as a person? Who are some contemporary women in horror that you love reading? 

Angela Sylvaine: I think being a writer helps me understand that every character, and therefore every person in real life, is rich and complicated. Good or bad, we all have motivations and baggage and fears and dreams. No one is just what they appear to be on the surface.

Some of my favorite recent women’s horror includes Bunny by Mona Awad, which was achingly beautiful, extremely brutal, and completely confusing. I’m still not sure I understand what happened in that book, but I was enthralled. In young adult horror, I loved both Not Even Bones by Rebecca Schaeffer and The Sawkill Girls by Claire Legrand. Both featured richly developed young women as strong characters, and I love reading great YA horror.

Hailey Piper: Writing has helped process dealing with various aspects of life, and I’d like to think that gives me a better understanding of what I’m going through. It doesn’t always work, of course.

As for contemporary women in horror, that reading list is a mile long! But Sara Tantlinger, Claire Holland, Marjorie Liu, Joanna Koch, Eden Royce, Christa Carmen, Gwendolyn Kiste, Priya Sharma, Eliza Chan, Laura Mauro, A.C. Wise, V.H. Leslie, Tracy Fahey … I could go on. Forever.

Joanna Roye: Becoming a writer has actually helped me become more sure of myself, of my identity and place. By figuring out my voice, it’s helped me reflect on who I am and how I can interact with the world. I love reading Gwendolyn Kiste, Kelly Link, Tananarive Due, and Mariko Koike.

Joe Koch: I used to do art to get the demons out. Words require commitment. I’ve become more honest with myself and with others through writing. Dare I say I’ve become more human? I guess I’m going to get kicked out of the robot club now. I was really counting on that new mechanical body. Damn.

There are too many excellent female identified authors to keep up with in horror! My TBR list is ever-expanding. It’s a good problem to have.

Fellow “Not All Monsters” authors I’ve loved reading include Christa Carmen, Jessica McHugh, and Hailey Piper. Piper is a favorite who I’ve watched grow tremendously over the past year. I can’t wait to see where she takes her work in the near future. Writers who glean literary respect beyond the genre like Carmen Maria Machado, Kathe Koja, and Alma Katsu blow me away with vastly different but equally rich and complex works. Some women I’m planning to read more of soon include Georgina Bruce, Gwendolyn Kiste, Damien Angelica Walters, Claire C. Holland, Laurel Hightower, Stephanie Wytovich, and Christina Sng. I do love a good horror poem, and your name definitely goes on my list! I’m honored to talk with you, Sara!

Leslie Wibberley: CNF allows me to explore my reactions to problematic events in my

Fiction does the same. Placing my characters into challenging situations and playing with their reactions, often helps me in my own life. But unlike CNF, I’m the one who chooses the final outcome, and I love the heady sense of power that brings.

A few of my favorite women in horror are Angela Slatter, Kelly Link, Carina Bissett, Angela Carter, K.T. Wagner, Shirley Jackson, and a fresh new voice in the horror world, whose writing is as lyrical as it is disturbing—Sara Tantlinger.

Christa Carmen: Being a writer has helped me as a person in that it gives me a creative outlet for all the things I love or fear or obsess over or just want to know more about in the world. Being a horror writer in particular allows me to grapple with issues that worry me or invoke unease, and I’m grateful that I discovered early on that it was, indeed, horrorfiction that allowed for this in-depth exploration as opposed to, say, poetry or creative nonfiction, because I’m far better at penning a horror tale than I am at conceptualizing a memoir or stringing together a haiku.

Some contemporary women in horror that I love reading are Gwendolyn Kiste, Stephanie M. Wytovich, Nadia Bulkin, Ania Ahlborn, Jac Jemc, Alma Katsu, Christina Sng, Elizabeth Hand, Nancy Holder, Joyce Carol Oates, Claire C. Holland, Anya Martin, Erin Sweet Al-Mehari, Renee Miller, Theresa Braun, Carmen Maria Machado, Kelly Link, Damien Angelica Walters, Lauren Groff, Caroline Kepnes, Ruth Ware, Sarah Pinborough, and all the amazing women in the Not All Monstersanthology.

Briana McGuckin: It comes back to that idea of subverting power as therapeutic. I have cerebral palsy, and when I was a kid – when I started writing – I was skin, bones, and surgical scars. I was in and out of a wheelchair. The only extra-curricular activity I did was dance class, as physical therapy – but there were recitals, so I always felt I was bringing everybody else down. When I rode the short bus, I got shoved in lockers and called “retarded.” I knew I was smart. It’s not that you believe what bullies say about you – it’s that you know they’re wrong, and yet there’s no changing the atmosphere. You don’t make the rules. But when you write, you control everything. You can put down what it feels like to be you, and no one can erase it. It gives you space for your narrative.

As for contemporary women in horror, I just read The Little Stranger by Sarah Waters. It’s packed full of everything you want in a classic gothic horror novel – the old house, the weird family, things being on fire – and yet it’s so readable for a modern audience. It feels like rich, aged, time-tested fiction.

Jennifer Loring: Much like reading, writing helps you become empathetic. This is especially important when you’re writing characters that aren’t representative of yourself, as I often do. Being a writer has also helped with my anxiety disorder; I used to avoid public speaking and social events in general, but now I love attending conferences and conventions and getting to know other writers. As far as contemporary women horror writers, I love Gwendolyn Kiste, S. P. Miskowski, Livia Llewellyn, Gemma Files, Kristi DeMeester, Betty Rocksteady—and you, of course! 😊 Also, despite not being “horror” writers per se, Gillian Flynn and Sara Gran have written some pretty horrific stuff (Sharp Objectsand Come Closer, respectively).

J.C. Raye: I am ashamed to say that I have learned more about geography, culture, and world history from writing my first dozen short stories than during my entire K-College education. I spent the first twenty years of life trying to get by without studying all those juicy details which make a story rich. Now, I can easily spend two weeks seeking out exact names of native foliage for a midwestern ghost town, studying traditions of Vietnamese paper-lantern making, or discovering what caves exist off the coast of Ireland.

I love reading ANY women in horror. Hell hath no fury like a woman scorned. And the darkness of a woman’s imagination truly has no bottom. Want to stay up nights? Yeah? Read a horror story concocted by a woman.

Juliana Spink Mills: I came to writing late, though I’ve loved words my entire life. I only started writing seriously when I turned 40 and my kids were old enough to not need me all the time. Writing grounds me, but also gives me room to spread my wings and soar. It’s something all mine, a myriad of secret worlds to explore and special places only I can access and bring to life. Writing completes me.

As for other writers, I tend to read more fantasy and sci fi than horror, though there is a lot of bleed-through (ha! blood!) from one to the other. I loved Holly Black’s Folk of the Airtrilogy, for instance, which is technically fantasy but does have some horror elements. Northern Irish writer Jo Zebedee definitely blurs that line between horror, sci fi, and fantasy, and I’m a huge fan of her work. In her Waters and the Wild, for instance, she goes quite dark indeed. And in terms of actual horror writers, you can’t go wrong with the fabulously talented Gwendolyn Kiste.

G.G. Silverman: Writing has helped me have a safe space to explore my own thoughts and feelings. It has also helped me become more empathetic, and notice more about my surroundings, and about people. It forces me to be mindful, and present, and to witness. It has also brought me great friendships, people I’m certain I wouldn’t have met if it weren’t for my writing habit.

As for contemporary women in horror I love reading, I really love Carmen Maria Machado. Joyce Carol Oates’ work is also really amazing. Then there are peers who are doing great stuff, like Sarah Read, Stephanie Wytovich, and Gwendolyn Kiste. There are so many great female voices in horror. It’s an exciting time to be a writer *and* a reader.

Amy Easton: For me, writing is invaluable for making sense of the world and my place in it – I would be far less grounded without it. I love bringing narrative elements into my therapy work and horror is particularly well-suited for meaningful representation. I tend to read nonfiction soam excited to explore the darker side of fiction through the works of my anthology sisters! As for recommendations, current favorites are Kier-La Janisse’s House of Psychotic Women and Sady Doyle’s Dead Blondes and Bad Mothers.

Kayleigh Barber: I think being a writer has helped me in so many ways. It’s helped me

For female horror authors, I’ve loved everything I’ve read by Sara Tantlinger. To Be Devoured still makes me shudder when I think of certain scenes. Mira Grant’s Feedtrilogy is one of my all-time-favorite reads. Donna Lynch’sChoking Back the Devilwas wonderful. I also have books by Gwendolyn Kiste, Sara Gran, and Christa Carmen that I can’t wait to read!

Annie Neugebauer: Writing has helped me in more ways than I can easily pin down and articulate. I do know that writing has been a creative outlet for me, of course, and a way to better understand myself and other people. It’s one of the ways I process life and explore the world. It’s also an escape: something that’s mine and only mine that can always be exactly what I want it to be. It’s given me empathy, wisdom, healing, understanding, joy, and contentment. But all of that sounds trite compared to how it feels.

As far as contemporary authors go, I’m absolutely obsessed with Tana French’s work. She’s incredibly brilliant, whether veering toward or away from horror. I also consistently love Gillian Flynn, Laurell K. Hamilton, Gemma Files, and Sarah Waters. And I’ve read fantastic books lately by Zoje Stage, Catherine Burns, Lauren Beukes, and Marisha Pessl. That’s just the tip of the iceberg; there are so many women crafting incredible short fiction, for example, that I can’t even begin to list them all!

J.H. Moncrieff: Writing has helped me use my voice to educate and inspire others, and hopefully help them see things differently. When I’m writing regularly, I’m a much happier, more content, and focused person. I’m never lonely because my characters surround me. Writing helps me unpack a lot of negativity, worries, and fears that would probably otherwise drive me crazy, like the poaching and senseless killing of animals (see #1). As for contemporary women in horror, I love Catherine Cavendish, Somer Canon, Lee Murray, Susan Hill, and Sarah Pinborough. I’m probably forgetting many, so please forgive me.

Sam Fleming: I’m neuro-atypical and have hypergraphia. I’ve been writing since I could hold a pen. It took about four decades for me to start submitting, though, and I need to differentiate between the writing I do because I haveto, and the writing that tells stories. Being the kind of writer who sends stuff out has made me much more robust to, and yet also open to criticism, and taught me to be kinder myself. I am a terrible perfectionist, and competitive to boot, but you can’t control what an editor wants to see. You might have a great story and still see it rejected, because it wasn’t right for that market at that time. It has enabled me to segregate personal criticism from criticism of my work, and my time in crit groups has taught me to be more sensitive to other people. I’m so much better at tailoring a message for my audience than I used to be.

I have favourite stories rather than writers. I loved Michele Paver’s Dark Matter, and Carole Johnstone’s “Better You Believe”. That said, if a contents page lists Kelly Robson, A.C. Wise, Leah Bobet or Gwendolyn Kiste, I’ll probably read those stories first.

Jessica McHugh: I don’t think I’m great at expressing myself verbally. When I was a kid, I’d often sit up in bed at night besieged by anxieties I couldn’t articulate, so I’d just scream at the top of lungs. My poor parents probably thought I was being murdered the first time it happened. Even when I got better at discussing my feelings, I’ve always felt more comfortable channeling them through a character. Flannery O’Connor said, “I write because I don’t know what I think until I read what I say,” and that rings true for me as well. Writing is screaming at the page, and editing is figuring out why I needed to scream in the first place.

When it comes to contemporary women in horror, it almost hurts not to list 20+ names because there are so many kickass ladies rocking the genre right now. Some of my favorites are Betty Rocksteady, Damien Angelica Walters, Stephanie Wytovich, Sarah Pinborough, Carmen Maria Marchado, Sheri White, Emma Johnson, Sarah Read, Tananarive Due, and Lucy Snyder.

K.P. Kulski: Writing is the ultimate outlet. There’s that great quote attributed to Sappho floating around the internet, “what cannot be said will be wept.” I really want that quote to be something Sappho said, but there is no proof of that. However, I love the quote even if she didn’t say it. I think it also describes what writing can do. Fiction can be the display of truth through the creation of lies. Words like sorrow and rage by themselves convey nuanced meanings, but works of fiction give us the depth of the meaning. We can say, “I am sad” but saying it with a story is the weeping of truth that cannot ever be given proper justice without the fiction.

I can gush forever about writers, especially women writers. I recently read Shawna Yang Ryan’s Water Ghostsand it is the most crushing, beautiful and haunting story. It flits along the threshold of horror, but that’s something about it that I absolutely adore. I’m a fan of graphic novels as well so I have to mention Marjorie M. Liu’s Monstress series, not only is the story and world gripping, the art by Sana Takeda is horrifying and breathtaking and gorgeous all at once. I had the honor of being at a poetry reading with Donna Lynch, Saba Razvi and a woman named Sara Tantlinger… you might know her. I’m pretty sure I looked like a rabid fan as I immediately purchased their work so I could spend my life reading their books by candlelight. I may have also used their poems to curse the wicked. As one does.

WiHM: NOT ALL MONSTERS Roundtable Part III

Welcome back! If you missed Part I and Part II of my roundtable with the amazing authors of Not All Monsters, make sure to check them out. Nick Day recently sent me a hardcover proof of the book, and it’s safe to say I’m obsessed and this book is going to be a beautiful collector’s item.

What would be your dream job besides being a successful author?

Annie Neugebauer: Probably a professional organizer and/or interior designer. I have a passion for home aesthetics, and a knack for helping people sort through their clutter. On the other hand, I can also easily imagine loving being a lit professor!

Angela Sylvaine: I would love to be a chef or a food critic. I enjoy cooking and when I travel, I love to try new and interesting foods.

Briana McGuckin: I was an academic librarian before I started pursuing my MFA full-time, and that was close to perfect for me. I love doing research, and I love re-framing ideas to help people understand them or see them in a new way. I got to do a bit of teaching in that position, and I wish I could do more. I just want to get to the bottom of everything – anything, whatever’s weighing on a person’s mind when they talk to me. They’re the same, I think – emotional upset and the thirst for knowledge – because that’s when we want to know things: when we feel we’re missing something important. I’ve been told I missed my calling as a therapist. But my favorite writers are my therapists for the time that I am reading their work, so maybe I’m still well-situated for that.

Juliana Spink Mills: Travel writer! Especially now that my kids are nearly done with high school and almost ready for college…

I traveled a lot when I was younger; to Australia and around Europe. All over Brazil. To Peru with my now-husband (and then-boyfriend). A group of us once drove over 8,000 miles from Brazil to the southernmost tip of Ushuaia, in Tierra del Fuego, and back again, crossing Uruguay, Chile, and Argentina. I’ve skied the Rockies, the Alps, and the Fitzsimmons Range. After college, I spent two months backpacking Canada by myself. I love traveling. And hey, I could write my fiction at the same time; perfect!

Leslie Wibberley: I used to want to be a forensic sculptor, but sadly computer-generated images and reconstructions have now made that occupation obsolete.

I sculpt, but only as a hobby. But if I couldn’t write I’d be a professional sculptor. For me, sculpture is the only thing that has ever come close to the magic of writing. In both, we create something from nothing. Beautiful works of art from amorphous lumps of clay or imaginary worlds filled with people who don’t exist, doing things that never happened, using only thoughts and words.

Amy Easton: I think I am lucky enough to have it! I am a therapist working with survivors of trauma and there is nothing else I would rather do. One day, I hope to be able to live in the woods with a whole pack of dogs but I don’t think there’s much money in that path.

Christa Carmen: I’d either do something with animals—but something wild like assist a team of Australian biologists in cloning the DNA of a Tasmanian tiger to bring the striped marsupial wolves back from extinction—or something with the occult, like become a traveling tour guide for the most haunted places in America or the most sought after spirit photographer this side of the Great Beyond. See, this is why my actual dream job is to be a successful author, because the jobs I just described are ridiculous and seem completely made up.

Joe Koch: Personal masseuse to an immortal and benevolent cat deity. Preferably a chunky ginger boy.

Jessica McHugh: I love dancing. In my life, I’ve been a ballet and tap dancer, a stripper, a Just Dance and DDR enthusiast, and I even trained to be a ballroom dance instructor. I don’t know how I’d make money doing it these days at nearly 40 years old, but hey, I guess that’s why it’s a *dream* job!

Jennifer Loring: I did my undergrad in studio art; being an artist was my first real “dream job.” Obviously it didn’t work out, but I still dabble in several media—painting (digital and acrylic), collage, mixed media, book-making, photography. I’m debating whether to put an online store back up. I love a good side-hustle, but I’ve already got a day job and the whole writing thing!

K.P. Kulski: Archaeologist. I would be the female version of Indiana Jones. I would fight Nazi’s and make grand archaeological discoveries. Honestly, I’d also be happy being an archaeologist who lived in reality. I’d love to specialize in the ancient Celtic, Norse and Mongolian cultures. Yes, all three. I don’t care how far Mongolia is from the other two. I do what I want.

G.G. Silverman: I have always loved nature, and in our current time, news of places like Australia being destroyed by wildfire has really gotten my attention. I’m currently exploring opportunities to learn about how to make a better impact on the environment—whether or not that translates to a job that earns money remains to be seen. It’s important work, regardless.

I also love visual art, and am a graphic designer for my day job, so I’m looking at ways to expand my offering as an artist to include things that are more illustrative—successfully selling more visual art would absolutely be a dream come true.

I also love teaching (I currently teach creative writing at my local college), and community-building, and in the future I hope to build some kind of space (real or virtual) that brings people together to work on their own dreams, and support each other.

Hailey Piper: Multiverse cartographer. I’d write a guidebook and draw maps to parallel universes so people would know which to travel to … there are still books involved, but that’s different from being an author, right? There’s walking involved!

J.H. Moncrieff: A forensic psychologist (profiler) or a marine biologist, but since I haven’t actually done either job, it might be best to try them out first. I have been a journalist, a publicist, an editor, a marketer/communications specialist, and a teacher.

Sam Fleming: Climate Research Scientist in Antarctica? Dragon whisperer? Raven wrangler? When I was little, I wanted to be James Bond. I was oblivious to the misogyny, as a clueless 7-year-old, but being sent to dangerous places to save the world from bad people appealed. The Armed Forces wouldn’t have me.

I’m not sure it’s wise to have a dream job. You always have to sacrifice something, and then wonder whether or not it was worth it. If you can find something that makes you want to get up in the morning and do it, and someone is willing to pay you for it, then that is as close as you can get to a dream job. I know what I want from a job – to be needed and wanted (not the same thing), a moderate degree of excitement, plenty of variety and challenge, a degree of autonomy that equates to being left to get on with it, and knowing my efforts will leave the world a better place. Preferably without having to talk to too many people, but where I can bring my dog.

So battlewitch in charge of guarding a powerful sacred relic on a remote island, I suppose.

Joanna Roye: Running a horticultural garden to propagate native species of plants. Or bee-keeper, opossum rehabilitator? Something in the area of wildlife conservation.

Kayleigh Barber: I would love to open a bookstore, possibly with a café attached. Did you finish book 1 in a series at midnight, and now you need book 2 and some caffeine stat? Come on in, or choose the delivery option at checkout!

J.C. Raye: Goats. I’d like to raise them. Run with them. Build massive wooden jungle gyms for climbing and watch them knock each other off in their seemingly endless game of king of the mountain. That game never gets old with goats. Watch them sometime and you’ll see.

WiHM: NOT ALL MONSTERS Roundtable Part II

If you missed Part I of our roundtable, find it here!

If you could transport yourself to any time period and place for a year to write a book that took place in that same setting, where would you choose to go?

 

 

Sam Fleming: All my stories are alternative Earth stories (even the ones set very far away start here if you go back into their history far enough – I’m one of those writers who keeps world bibles). They are set in places that are familiar, but not exactly the same as here. I have a story in Clockwork Phoenix 5that is set in a version of our world, but say, twenty minutes into the future (to quote Max Headroom), and with added magic. If I could spend a year in the ancestral pile of the family that world revolves around, I would love to do that. So many stories! It would be like John Crowley’s Little, Bigas told by Scottish Twitter. And yes, for those who are interested, “Pretty Little Vampires” is set in the same universe as “The Prime Importance of a Happy Number”.

Jennifer Loring: That’s a tough question! I think I would probably want to be in Paris during the time of the Decadents and Symbolists. Despite being not particularly women friendly, I love so much of the literature and poetry that came out of the period, and I imagine it would be very inspiring for my own work in turn. 

 

Kayleigh Barber: I’d have to say sometime between the late 70s/early 80s. That’s when the slasher genre really took off; I’d love to write a book along that same vein.

Jessica McHugh: 1920s Baltimore. I’ve always loved the ‘20s, but I recently did a lot of research about living in Baltimore during the prohibition era for a Booze & Bites tour I lead in Frederick, MD, and I would love to set a novel there one day.

J.C. Raye: Oh my! England. Medieval times. Swords and sorcery and all that jazz. Wait, no! I completely forgot about The Inquisition. Those heresy-battling folks were quite fond of us roguey-breasted types. Maybe that’s not too good an idea. Ok. Well how about the Golden Age of Piracy then? 1700’s or so. Buccaneers. Tortuga. Life at sea. Oh. Right. The woman thing again. And there were only a few BlackBeard-ettes at the time. My understanding of history is that those gals didn’t end well at all. Hmm. What about the future then? Um, no. Civilization will probably morph into some Soylent Greenscenario, Charlton Heston or no. Women becoming the furniture which accompanied any apartment rental. Yeesh. This is hard. No point time-traveling to write the book if the chances of getting it back to the publisher are slim to none.

You know what? let’s just go with Central Jersey in 2020. That I can handle.

 

Christa Carmen: I have actually been working on a novel for the past year set in Rhode Island at the end of the 19thcentury, and I would love to be transported back to that time period to see just how well my research has served me. New England is a place that has inspired no shortage of isolation and hopelessness, both in the people who have called it home and in those individuals who’ve felt compelled to write about the region; I’d be curious to witness some of the paranoia and fear that caused events like the Salem witch trials or the Mercy Brown vampire incident of 1892—which is what my novel is based on—firsthand… from a safe distance of course, so I could avoid being burned or stoned or having my tuberculosis misdiagnosed as vampirism! 

Leslie Wibberley: Salem, Massachusetts in the year 1692, just as the witch trials were beginning. I’d love to write the story of a powerful witch who changed the outcome of those trials by educating the people who would listen, and destroying those who wouldn’t. 

Briana McGuckin: I’m working on a gothic novel that’s a cross between Secretary andTess of the D’Urbervilles – a Victorian BDSM novel. And I’m trying to show what responsible BDSM looks like, because I think what we tend to do more often is make Dominants titillating villains and then “fix” or tame them, which is problematic for readers owning their desires and for the BDSM community. Anyway, believe it or not, the Victorians got up to some kinky stuff. I’d love to plop myself down in the middle of those secret spots because, even having done the research, I still can’t quite make the high-society drawing room and bondage play mesh in my mind. It’d be fun to be a fly on the wall, to really get the feeling right, because I think of BDSM as sort of like dreaming, or therapy: it’s a way of processing the rest of one’s life, for catharsis. There are powerful forces at work on you whatever time period you live in, and BDSM lets you subvert that power – lets you play with it, for a little while. Against what were those Victorians rebelling? You’d have to be there, to sense it.     

G.G. Silverman: The Victorian period seems super interesting to me. The way melancholy, memory, and mourning was so ritualized, with its own uniform: mourning jackets, and jet jewelry, and jewelry made from a loved one’s hair. I would love to explore that some more.

Amy Easton: I was three years old when the nuclear disaster at Chernobyl took place and I grew up with an awareness of the impact of this terrible event. I visited Pripyat a decade ago and fell in love with the abandoned beauty and the incredible resilience of those still living and working there. To live in Ukraine during the 80s or 90s and write about the affected communities, wildlife and environment would be a wonderful experience.

Annie Neugebauer: Hmmm. Dangerous question! If I’m granted some sort of safety net that protects me against, say, catching the plague or being kidnapped by pirates, I’d love to go to a castle in the south of France in the early 1600s to research for my gothic novel series. If there isn’t any “save game” button, I think I’ll stay right here and keep using research and my own imagination. 🙂

K.P. Kulski: I have to write a book? I mean, my choice would be a shieldmaiden during the Viking Age, so I probably won’t have a lot of time for writing as I will be cutting down my enemies and stealing their stuff. In this imaginary life, there wouldn’t be sexism, there would be antibiotics, daily baths and I would be the best fighter on Earth. To be fair, the Norse were remarkably well-bathed and groomed for their time, but more cleanliness is good. Eventually, I become a general of a whole army of shieldmaidens and we take over the world.

WiHM, Not All Monsters, and More, Oh My!

Screen Shot 2019-02-27 at 6.22.45 PMThis month I was really lucky to feature nine incredible ladies of horror and their work. I had intended to feature 10 ladies to echo the decade mark for Women in Horror Month’s existence, but unfortunately my last guest had some scheduling conflicts, so rather than scrambling and begging someone to do a last minute interview, I decided to write something up myself!

If you missed the nine interviews, please check them out here because holy smokes, these ladies are up to some incredible, wicked works that you don’t want to miss. A huge thank you to everyone who took time out of their schedules to join me and share more about their work, processes, identity, and more.

In addition to the interviews, I wrapped up some final decisions for the Not All Monsters anthology this month (to be published in 2020 with StrangeHouse Books). The listing is now closed, but if you’re curious about the info/theme, I’ll link it here. The anthology wasScreen Shot 2019-02-27 at 6.39.02 PM an open call for women who write horror, and I am pleased to say I received nearly 300 submissions from all across the globe! That’s a lot of badass ladies writing amazing, vicious, gorgeous, darkly beautiful stories out there.

*Side note — if you submitted to the open call awhile ago and have heard nothing back, keep an eye out. We have decided to send out the acceptances in batches in an effort to keep the book fresh in peoples’ minds since the publication won’t be until 2020. Read more about that on the publisher’s post here.

This anthology was without a doubt the biggest thing I have been an editor for to-date, and I loved it! I hope I have the opportunity to edit more things like it in the future. Here are some things I learned so far, but it’s not over yet:

*Sending out rejections is AWFUL and I hate it…but it’s a necessary part of the job. I also think most people understand that it isn’t personal, it’s all professional and based on what works best for the theme/anthology/goes with the other stories without being too similar, etc…

*Reading that many stories IS overwhelming, and I think I will adapt a better method the next time I do this

*However, seeing the creativity and different way women approached this theme was amazing

*There were a lot of similar themes based around abuse and other trauma in the stories that was heartbreaking because I just knew that so many of those writers had probably experienced something in their own life that may have led to bleeding out some cathartic remedy onto the page. So if you submitted, no matter what happens with your story, I hope you were able to purge some of the bad out and breathe a little easier. You are brave, and amazing, and I love you.

*Women are incredible. But you and I already knew that 🙂 And if anyone ever complains that there aren’t enough women writing horror out there, send them to me. I know about 300 women who are.

February has been a heavy social media month for me, and I think I’m due for a break to work on some of my own projects. Until then, happy writing. Let’s celebrate women in horror all year long!

 

Cover Reveal: The Devil’s Dreamland: Poetry Inspired by H.H. Holmes

Coming very soon from Strangehouse Books…The Devil's Dreamland full rez.jpg

 

“Tantlinger’s chilling poetry, inspired by life/lies of a serial murderer, unfolds in the imagined voices of his victims, and the man himself, in a city reduced to ashes and rebuilt for him to bleed. The poems entice to try understanding this devil: what does he gain from such horror? In the end, after he is hanged and buried, the haunting last poem plants the idea: evil is more than one man and isn’t easily destroyed.”

—Linda D. Addison, award-winning author of “How to Recognize a Demon Has Become Your Friend” and HWA Lifetime Achievement Award winner

“In this morbidly creative and profound crime documentary, Sara Tantlinger delivers one of the best works of horror poetry I’ve read in years. What America’s Ripper, HH Holmes, built with his creatively sick “murder castle” in 1890’s Chicago, Tantlinger creates today with this book, rich with seductive language and unflinchingly exploratory in its multifaceted structure. It’s brilliantly constructed to get inside your skull and pry apart your morbid fascination with life, death, perversion, avarice and murder, awakening you to the evil that hides in plain sight around us all. Readers will thrill to find themselves spilling down its terrifying trapdoors and careening down its greasy dark slides, until they find themselves imprisoned inside the black gloom of a deviant dungeon of nightmarish evil that they’ll never be able to forget…or escape. An amazing autopsy of the unholy!”

—Michael Arnzen, Bram Stoker Award winning author of Grave Markings and Play Dead

“A fascinating and absolutely riveting journey into the life and times of one H.H. Holmes. Sara Tantlinger’s powerful and vivid prose takes you into the depths of Holmes’ dark universe and what you see will stay with you long after you’ve closed the book.”

—Christina Sng, Bram Stoker Award winning author of A Collection of Nightmares

OPEN CALL ANTHOLOGY

***Update: This is now closed.

Ladies, I want your monsters. Announcing NOT ALL MONSTERS, an anthology to be released by Strangehouse Books in the fall of 2020 that I am editing!

There are monsters in every woman’s life. And while maybe not ALL monsters are so bad, I want you to tell me about the dark and twisted ones. Give me protagonists who take no shit. Show me women who save themselves. Does the hero slay the beast, or is she the monster? All types of monsters, protagonists, and antagonists are welcome here. I am looking for speculative fiction containing strong prose with character-driven stories that convey powerful messages. I am particularly drawn to the beautiful grotesque, gothic elements, the macabre, and poetic prose, but I welcome all well-crafted stories to be submitted.

All writers who identify as women are welcome to submit.

Submissions open on November 1st, 2018 and will remain open until our approximate word count has been met.

 

Manuscript formatting should follow the Shunn style

Send submissions to: notallmonsters2020@gmail.com

Payment: $0.01/word

Expected word count: ~90K

Stories should be a minimum of 2K and up to 8K

NO reprints

NO multiple submissions

NO simultaneous submissions

See the rest of the guidelines here.