WiHM, Not All Monsters, and More, Oh My!

Screen Shot 2019-02-27 at 6.22.45 PMThis month I was really lucky to feature nine incredible ladies of horror and their work. I had intended to feature 10 ladies to echo the decade mark for Women in Horror Month’s existence, but unfortunately my last guest had some scheduling conflicts, so rather than scrambling and begging someone to do a last minute interview, I decided to write something up myself!

If you missed the nine interviews, please check them out here because holy smokes, these ladies are up to some incredible, wicked works that you don’t want to miss. A huge thank you to everyone who took time out of their schedules to join me and share more about their work, processes, identity, and more.

In addition to the interviews, I wrapped up some final decisions for the Not All Monsters anthology this month (to be published in 2020 with StrangeHouse Books). The listing is now closed, but if you’re curious about the info/theme, I’ll link it here. The anthology wasScreen Shot 2019-02-27 at 6.39.02 PM an open call for women who write horror, and I am pleased to say I received nearly 300 submissions from all across the globe! That’s a lot of badass ladies writing amazing, vicious, gorgeous, darkly beautiful stories out there.

*Side note — if you submitted to the open call awhile ago and have heard nothing back, keep an eye out. We have decided to send out the acceptances in batches in an effort to keep the book fresh in peoples’ minds since the publication won’t be until 2020. Read more about that on the publisher’s post here.

This anthology was without a doubt the biggest thing I have been an editor for to-date, and I loved it! I hope I have the opportunity to edit more things like it in the future. Here are some things I learned so far, but it’s not over yet:

*Sending out rejections is AWFUL and I hate it…but it’s a necessary part of the job. I also think most people understand that it isn’t personal, it’s all professional and based on what works best for the theme/anthology/goes with the other stories without being too similar, etc…

*Reading that many stories IS overwhelming, and I think I will adapt a better method the next time I do this

*However, seeing the creativity and different way women approached this theme was amazing

*There were a lot of similar themes based around abuse and other trauma in the stories that was heartbreaking because I just knew that so many of those writers had probably experienced something in their own life that may have led to bleeding out some cathartic remedy onto the page. So if you submitted, no matter what happens with your story, I hope you were able to purge some of the bad out and breathe a little easier. You are brave, and amazing, and I love you.

*Women are incredible. But you and I already knew that 🙂 And if anyone ever complains that there aren’t enough women writing horror out there, send them to me. I know about 300 women who are.

February has been a heavy social media month for me, and I think I’m due for a break to work on some of my own projects. Until then, happy writing. Let’s celebrate women in horror all year long!

 

Cover Reveal: The Devil’s Dreamland: Poetry Inspired by H.H. Holmes

Coming very soon from Strangehouse Books…The Devil's Dreamland full rez.jpg

 

“Tantlinger’s chilling poetry, inspired by life/lies of a serial murderer, unfolds in the imagined voices of his victims, and the man himself, in a city reduced to ashes and rebuilt for him to bleed. The poems entice to try understanding this devil: what does he gain from such horror? In the end, after he is hanged and buried, the haunting last poem plants the idea: evil is more than one man and isn’t easily destroyed.”

—Linda D. Addison, award-winning author of “How to Recognize a Demon Has Become Your Friend” and HWA Lifetime Achievement Award winner

“In this morbidly creative and profound crime documentary, Sara Tantlinger delivers one of the best works of horror poetry I’ve read in years. What America’s Ripper, HH Holmes, built with his creatively sick “murder castle” in 1890’s Chicago, Tantlinger creates today with this book, rich with seductive language and unflinchingly exploratory in its multifaceted structure. It’s brilliantly constructed to get inside your skull and pry apart your morbid fascination with life, death, perversion, avarice and murder, awakening you to the evil that hides in plain sight around us all. Readers will thrill to find themselves spilling down its terrifying trapdoors and careening down its greasy dark slides, until they find themselves imprisoned inside the black gloom of a deviant dungeon of nightmarish evil that they’ll never be able to forget…or escape. An amazing autopsy of the unholy!”

—Michael Arnzen, Bram Stoker Award winning author of Grave Markings and Play Dead

“A fascinating and absolutely riveting journey into the life and times of one H.H. Holmes. Sara Tantlinger’s powerful and vivid prose takes you into the depths of Holmes’ dark universe and what you see will stay with you long after you’ve closed the book.”

—Christina Sng, Bram Stoker Award winning author of A Collection of Nightmares

OPEN CALL ANTHOLOGY

***Update: This is now closed.

Ladies, I want your monsters. Announcing NOT ALL MONSTERS, an anthology to be released by Strangehouse Books in the fall of 2020 that I am editing!

There are monsters in every woman’s life. And while maybe not ALL monsters are so bad, I want you to tell me about the dark and twisted ones. Give me protagonists who take no shit. Show me women who save themselves. Does the hero slay the beast, or is she the monster? All types of monsters, protagonists, and antagonists are welcome here. I am looking for speculative fiction containing strong prose with character-driven stories that convey powerful messages. I am particularly drawn to the beautiful grotesque, gothic elements, the macabre, and poetic prose, but I welcome all well-crafted stories to be submitted.

All writers who identify as women are welcome to submit.

Submissions open on November 1st, 2018 and will remain open until our approximate word count has been met.

 

Manuscript formatting should follow the Shunn style

Send submissions to: notallmonsters2020@gmail.com

Payment: $0.01/word

Expected word count: ~90K

Stories should be a minimum of 2K and up to 8K

NO reprints

NO multiple submissions

NO simultaneous submissions

See the rest of the guidelines here.