My Women in Horror Month interview series continues today with an interview with award-winning author Sara Tantlinger! Read on to learn more about this amazing writer and poet.
Sonora: How long have you been writing poetry? Has your poetry always been infused with horror? When did your verses start to gain a sinister or macabre twist?
Sara: I started writing some very angst-filled poetry back in middle school. It was definitely a way for me to cope with the grief I was feeling at that time to try and deal with the sudden loss of my dad. I am not one to talk about my feelings and inner turmoil a lot, so turning to notebooks and writing became my therapy. I think over the years, poetry has become the most organic way for me to deal with extreme emotions like that. It’s a pure and unfiltered way to…
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Today’s guest in Sara Tantlinger, another pretty amazing poet.
When did you discover poetry and who/what influenced you?
Like many others, Edgar Allan Poe was one of the first writers to really lure me into the world of poetry. I remember reading “The Raven” in middle school and having the imagery stick with me for a long time. Additionally, Sylvia Plath, William Blake, Emily Dickinson, and Walt Whitman were my biggest classic inspirations that took me deeper into my love of poetry. My more contemporary inspirations are all the wonderful horror poets out there, along with Sierra DeMulder and Richard Siken.
Why do you write poetry?
I love that poetry forces you to create something sharp and poignant in a small space. You have a short amount of time to grab the reader’s attention, exploit the senses, create vivid imagery, and hopefully, have the reader go back to the beginning…
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If you missed Part I of our roundtable, find it here!
If you could transport yourself to any time period and place for a year to write a book that took place in that same setting, where would you choose to go?
J.H. Moncrieff: I’m working on a series set in ancient Egypt, which has been a complete nightmare. It would be so much easier to just live there for a year, and experience things as they actually were.
Joanna Roye: The Terminal Classic period of the Mayan empire, either in bustling Chichen Itza or the partially abandoned regions of central Peten.
Sam Fleming: All my stories are alternative Earth stories (even the ones set very far away start here if you go back into their history far enough – I’m one of those writers who keeps world bibles). They are set in places that are familiar, but not exactly the same as here. I have a story in Clockwork Phoenix 5that is set in a version of our world, but say, twenty minutes into the future (to quote Max Headroom), and with added magic. If I could spend a year in the ancestral pile of the family that world revolves around, I would love to do that. So many stories! It would be like John Crowley’s Little, Bigas told by Scottish Twitter. And yes, for those who are interested, “Pretty Little Vampires” is set in the same universe as “The Prime Importance of a Happy Number”.
Jennifer Loring: That’s a tough question! I think I would probably want to be in Paris during the time of the Decadents and Symbolists. Despite being not particularly women friendly, I love so much of the literature and poetry that came out of the period, and I imagine it would be very inspiring for my own work in turn.
Hailey Piper: Assuming I was completely safe to write? I’m not sure where, but the time period would be among prehistoric humanity, when our species seemed to have little chance of survival, the shadows loomed largest, and we were first developing the concepts that would both explain the world and help it haunt us for ages to come.
Kayleigh Barber: I’d have to say sometime between the late 70s/early 80s. That’s when the slasher genre really took off; I’d love to write a book along that same vein.
Jessica McHugh: 1920s Baltimore. I’ve always loved the ‘20s, but I recently did a lot of research about living in Baltimore during the prohibition era for a Booze & Bites tour I lead in Frederick, MD, and I would love to set a novel there one day.
J.C. Raye: Oh my! England. Medieval times. Swords and sorcery and all that jazz. Wait, no! I completely forgot about The Inquisition. Those heresy-battling folks were quite fond of us roguey-breasted types. Maybe that’s not too good an idea. Ok. Well how about the Golden Age of Piracy then? 1700’s or so. Buccaneers. Tortuga. Life at sea. Oh. Right. The woman thing again. And there were only a few BlackBeard-ettes at the time. My understanding of history is that those gals didn’t end well at all. Hmm. What about the future then? Um, no. Civilization will probably morph into some Soylent Greenscenario, Charlton Heston or no. Women becoming the furniture which accompanied any apartment rental. Yeesh. This is hard. No point time-traveling to write the book if the chances of getting it back to the publisher are slim to none.
You know what? let’s just go with Central Jersey in 2020. That I can handle.
Juliana Spink Mills: I think I’d go and stay with my grandparents in the south of Brazil in the early 1950s. They lived in a self-contained company village belonging to a meat packing corporation, with its own stores and port, and a private railroad connecting the docks to the cattle ranch and processing plant. My mother always tells stories of running wild with her friends as a child, biking everywhere, playing by the railway tracks, and fishing from the docks. It’s basically a writer’s dream setting, with every possible element in one neat package: small town, farmlands, sea, port, railroad… It’s all there!
Christa Carmen: I have actually been working on a novel for the past year set in Rhode Island at the end of the 19thcentury, and I would love to be transported back to that time period to see just how well my research has served me. New England is a place that has inspired no shortage of isolation and hopelessness, both in the people who have called it home and in those individuals who’ve felt compelled to write about the region; I’d be curious to witness some of the paranoia and fear that caused events like the Salem witch trials or the Mercy Brown vampire incident of 1892—which is what my novel is based on—firsthand… from a safe distance of course, so I could avoid being burned or stoned or having my tuberculosis misdiagnosed as vampirism!
Leslie Wibberley: Salem, Massachusetts in the year 1692, just as the witch trials were beginning. I’d love to write the story of a powerful witch who changed the outcome of those trials by educating the people who would listen, and destroying those who wouldn’t.
Joanna Koch: I’m torn. I can imagine so many fascinating times and places! I’d adore the chance to live contemporaneously with either the Impressionists or Surrealists in France at the height of those movements and just hang out. Painting, writing, arguing, starting scandals, and destroying everyone’s idea of good taste. What a blast.
I’d also like to visit our future, maybe after Mars has been terraformed by say, 2190. I’d like to see how we evolve as humans — will we become more mammalian (emotional, warm, connected), integrated with machines and technology (intelligent, efficient, individualized) or something utterly unpredictable? I’d like to see how leaving or losing our home planet changes us. Actually, can I have more than one year, please?
Briana McGuckin: I’m working on a gothic novel that’s a cross between Secretary andTess of the D’Urbervilles – a Victorian BDSM novel. And I’m trying to show what responsible BDSM looks like, because I think what we tend to do more often is make Dominants titillating villains and then “fix” or tame them, which is problematic for readers owning their desires and for the BDSM community. Anyway, believe it or not, the Victorians got up to some kinky stuff. I’d love to plop myself down in the middle of those secret spots because, even having done the research, I still can’t quite make the high-society drawing room and bondage play mesh in my mind. It’d be fun to be a fly on the wall, to really get the feeling right, because I think of BDSM as sort of like dreaming, or therapy: it’s a way of processing the rest of one’s life, for catharsis. There are powerful forces at work on you whatever time period you live in, and BDSM lets you subvert that power – lets you play with it, for a little while. Against what were those Victorians rebelling? You’d have to be there, to sense it.
G.G. Silverman: The Victorian period seems super interesting to me. The way melancholy, memory, and mourning was so ritualized, with its own uniform: mourning jackets, and jet jewelry, and jewelry made from a loved one’s hair. I would love to explore that some more.
Amy Easton: I was three years old when the nuclear disaster at Chernobyl took place and I grew up with an awareness of the impact of this terrible event. I visited Pripyat a decade ago and fell in love with the abandoned beauty and the incredible resilience of those still living and working there. To live in Ukraine during the 80s or 90s and write about the affected communities, wildlife and environment would be a wonderful experience.
Annie Neugebauer: Hmmm. Dangerous question! If I’m granted some sort of safety net that protects me against, say, catching the plague or being kidnapped by pirates, I’d love to go to a castle in the south of France in the early 1600s to research for my gothic novel series. If there isn’t any “save game” button, I think I’ll stay right here and keep using research and my own imagination. 🙂
K.P. Kulski: I have to write a book? I mean, my choice would be a shieldmaiden during the Viking Age, so I probably won’t have a lot of time for writing as I will be cutting down my enemies and stealing their stuff. In this imaginary life, there wouldn’t be sexism, there would be antibiotics, daily baths and I would be the best fighter on Earth. To be fair, the Norse were remarkably well-bathed and groomed for their time, but more cleanliness is good. Eventually, I become a general of a whole army of shieldmaidens and we take over the world.
This year for Women in Horror Month, I am ecstatic to bring you a roundtable feature each Monday with the authors behind Not All Monsters, an anthology by women in horror that will be out later this year from Strangehouse Books.
Thank you so much to the authors who could join me and so generously shared their time by answering these questions. You can check out the bios for all the authors in the anthology here.
Without giving away any spoilers, tell us a little bit about your story in the Not All Monsters anthology. What’s the title? Was there any particular inspiration behind the tale?
K.P. Kulski: I think as women we are all so intimately aware of the threat of sexual violence as well as the emotional destruction of body shaming and beauty standards. Too many of us are more than just aware. “Black Feathered Phlogiston” is about being pissed off as hell. It’s about women who are just done with the whole system. We’ve been eating shit for so long that it changes us. Phlogiston was an 18thcentury pseudo-science word for the element believed to be contained within every combustible. Like something just waiting to be ignited. The black feathers refer to harpies, cause harpies are cool.
Joanna Koch: My story “The Revenge of Madeline Usher” makes no secret about its inspiration. At age eleven, I discovered Poe. I was obsessed. Of course, I didn’t know the word misogyny and didn’t apply any sort of critical framework to his writing. Revisiting “The Fall of the House of Usher” decades later, Madeline’s near absence from the tale shocked me. Her presence haunts the original, yet she never speaks. She has no “screen time” besides the male glimpse. She’s not there long enough to call it a male gaze! I recognized this situation all too well. How many women have I known who were eclipsed by men, regardless of their importance in a family, job, or community? How many have been left out of history, and the arts and sciences?
I wanted to give Madeline a voice, and turn Poe’s (unintentional) misogyny inside-out. I also wanted to play with his style, and indulge myself with elaborate sentence structures and ten pound words. For this story, I let my purple prose flag fly.
Christa Carmen: I’ve always been fascinated by the ‘but he was such a nice guy’ refrain that occurs after the Ted Bundys and John Wayne Gacys of the world are discovered. When Ariel Castro was found to have kidnapped three the women, keeping them locked in various parts of his Cleveland, Ohio home for eleven years, neighbors and family members recalled going to Castro’s house for BBQs and Thanksgiving dinners. Castro’s own inability to see himself as anything but a “nice guy “and “not a monster” is beyond horrifying, and that dichotomy between the way monstrous men see themselves and the actual, barbarous ways they harm the women unfortunate enough to land in their paths was the inspiration behind this story.
The title, “And Sweetest in the Gale is Heard,” is a line from the Emily Dickinson poem “Hope is the Thing With Feathers,” and arose from my musings over what could possibly be strong enough to carry someone through the trauma of being held captive by a vile monster in a basement without egress. I realized that, in a situation so appalling, a feather may be plenty strong enough to place one’s hope upon, when hope is such a fragile thing.
Leslie Wibberley: My story, “Unfettered”, first took life in a story generation class taught by the wonderful Carina Bisset. In these classes, Carina pairs fairy tales, folk tales, or world myths with a scientific theme. “Unfettered” was inspired by the fairy tale The Firebird, and bioluminence. After a long journey that encompassed multiple versions and countless rounds of revisions, it arrived at its final destination. A magical realism tale featuring a former ballet dancer whose career was cut short by a terrible car accident, and the abuse she suffers before her resourcefulness and fortitude lead her to a new world of infinite possibilities.
Briana McGuckin: “The Good Will” envisions an after-life in which gods are dress forms
and the soul is a quilt. It’s a playful take on ancient Greek philosophy. Socrates says that there are “forms,” or blueprints, for everything. There’s a form for a tree – the perfect tree. But there are also forms for truth, justice, goodness – things that confuse us in the mortal world because they are imperfect, clarified to their essential parts.
According to Socrates, when a soul leaves the body, it looks upon these forms and understands what truth, justice, and goodness actually are. When the soul enters another body, it gets distracted and forgets. This is meant to explain learning – how we come to know things we don’t know. Socrates says we are remembering.
So, I sent a character through that process, to meet the (dress) forms, and I based her on my mom – not the events of her life, but her struggle with identity. It felt important to the theme of remembering, because she remembers stuff she wishes she didn’t. But I believe that her knowledge of her past is essential to her deep inner strength because she knows what she survived; she knows she is a survivor.
Jennifer Loring: My story is called “A Certain Age,” and it was inspired by the Filipino legend of the aswang. This creature can represent a number of monsters (vampires, witches, werewolves, etc.), but during the day it blends in with regular people. At night, it shape-shifts to hunt. “A Certain Age” is about racism and misogyny, and always feeling out of place. The aswangseemed like the perfect vehicle for telling that story.
Juliana Spink Mills: My story “The Sugar Cane Sea” started, as many stories do, with an image. A farmhouse I remember visiting as a child in my home country Brazil, nestled like a gemstone in the middle of a sea of shivering, rustling sugar cane. From there, the questions emerged: why would my main character be there? Was this a safe port from a storm, perhaps? And if so, whatwas the storm that drove her there?
There is a lot of farming in the state of São Paulo, where I grew up — sugar cane, yes, but also oranges, coffee, cattle, and others. I visited a lot of farms and sitiosin my years in Brazil, and it was fun to draw out images from my past and stitch them together into something new — and perhaps a little more sinister than my sunny childhood memories!
G.G. Silverman: My story is called “The Miraculous Ones.” Inspiration came from a few places—my love of sea monsters, my Italian heritage (the setting was loosely based on the village my dad came from in Italy), and my experience as a recently disabled person. I wanted to explore the superstitious culture of my heritage, and I also wanted to write a story where baking somehow factored in (my dad was also a baker, in one of his first jobs in America). Plus, I was obsessively watching The Great British Baking Showat the time, and was hungry, A LOT.
Amy Easton: My story is “Wasted”. It was initially inspired by media coverage of convicted rapist Brock Turner but is also a reflection on the assumption that teenage girls hold all the sexual power within intimate relationships, as well as the weird conflation of sex and violence which seems so prevalent in Western societies.
Angela Sylvaine: The title of my story, “Antifreeze and Sweet Peas”, is a nod to Arsenic and Old Lace. Let’s just say poison is involved in both. The inspiration came as I thought about vigilantism. As a woman, I often feel that the system isn’t doing enough and that some of those who are guilty, particularly powerful or seemingly upstanding men, don’t get the punishment they deserve (for example, the many examples of convicted rapists receiving minimal jail time or probation). This tale follows a woman who is uniquely qualified to dispense justice when society fails to stop predators and explores the moral grey area and consequences of being a vigilante.
Annie Neugebauer: “The Problem With Being a Monster” is a quirky story about a monster longing for human connection. It took its own path once it got going (as any good story is wont to do), but I started out aiming for that sweet spot between funny and scary that “Subsoil” by Nicholson Baker lands so beautifully. I think mine ended up more between funny and sad with a dash of macabre, but I’m not mad about that.
J.H. Moncrieff: The title of my story is “The Heart of the Lion”.It was inspired by the real-life death of Cecil the Lion. I’m a huge animal lover, and the thrill killing and poaching of animals infuriates me, so I thought it would be fun to write a story where the animals get revenge.
Jessica McHugh: My story “This Can Happen to You” was inspired by a real-life lottery win. In 2017, a Massachusetts woman won the largest single-ticket jackpot in North American lottery history and took the lump sum. Almost immediately, people were judging her for the decision, and I was so confused as to why strangers thought they deserved an opinion about it. Add in the fact that lottery winners in Massachusetts (and Florida, where my story is set) aren’t allowed to remain anonymous after claiming their money, and I had a bunch of elements perfect for an intrusive horror story.
J.C. Raye: The fine print and the aftermath. That’s “Cake”. Most of the fairy tales we clung to as children tie up the details oh so neatly at the end, don’t they? The pendulum swings one way or another. Main characters are either rewarded for their goodness and sacrifice, thus acquiring that dream come true, or are punished for their wickedness and greed. Here, you’ll find neither. Here, you’ll find the hell which exists between.
Hailey Piper: My story is “Without a Face,” and it follows Mercy Harper at her 30-year class reunion. A horrid incident at a now decades old fencing tournament has kept her away, but circumstances have pressed her to face the past. Only, a fencing mask has no face, and she sees that darkness everywhere she looks. I was inspired both by a fascination with the way a fencing mask obscures the fencer’s face and that attending a class reunion sounds like an absolute nightmare.
Joanna Roye: For “A Portrait of a Girl in Red and Yellow” I was inspired by the true crime tale of the Three Sisters in Black. They were a triad of women who made a living via insurance fraud and eventually murdered their niece by drugging her and drowning her in a bathtub. I was fascinated by the alternate modes of power available to women of that era. How they can be twisted toward cruelty or embraced as secret freedoms.
Kayleigh Barber: People tend to stop and stare at notorious things, but what happens when those things stare back? “Midnight in the Garden of Life and Death” is about Jo, who works at a rather infamous farm near her hometown, and what happens one festival night when curiosity finally catches up with the cat.
Inspiration-wise, I was digging around on the internet, as you do, trying to come up with an idea for a story. Somehow in my searching, I came across a picture of a pitch-black apple. What sort of orchard would grow pitch-black apples? Thanks be to the Google Gods, because after the question popped into my head, I had to answer it.
Sam Fleming: Like many in the UK, I feed the birds in my garden. We Brits spend £200 million (about $260,362,000) on garden birds every year. More than half the UK’s species of birds dine out at our expense. One Christmas, we had family over, and one looked out
and said, “You’ve got a rat.”
Sure enough, there was a large specimen of brown rat performing acrobatics to get to the sunflower seeds. We could either tolerate the rat – which we did until another half dozen appeared – or… Not.
“Pretty Little Vampires” came from that, from experiences I had when I was warden for the Rollright Stones in Oxfordshire, and with various would-be witchy types in general. There’s a naivete in certain samples of the pagan population, which I used to think was just ignorance but later decided was willful. I don’t want my characters, particularly not the women, to languish in willful naivete. It’s one thing to start out believing that all is white candles and roses, but it’s another to maintain that belief in the face of evidence to the contrary.
Women are more than capable of dealing with bad things. Even when men are giving them bad advice.
I keep struggling with how I want this post to start. When I reflect back on this year, even though some really great things happened, there is also a sense of relief in this year being done. 2019 came with fantastic high points, and stressful, anxiety-inducing challenges that led to some rough lows for me. Some of the most impactful lessons I learned this year were that I need to be busy — I like being busy and it helps me thrive, but at the same time if I don’t learn to manage my stress better, I am afraid I’ll drive myself into an early grave because of how damned awful stress can be on your mind, body, and willpower. I hope 2020 shows me a better way to live (honestly being an overworked adjunct has just chewed up my soul, so send me good vibes in my job search for this year, please); again, I like being busy, but I don’t like being so overworked and underpaid that I feel desperately hopeless. I recently felt so guilty that I did not make my small Goodreads goal this year, but then I remembered how long I spend reading hundreds of student papers, journals, projects, and more in order to provide substantial and helpful feedback, so hey, fuck that guilt.
I want 2020 to be a year of hope, and a year where I do not feel guilty for things like the above example. While some things are out of my control, I will do everything in my control to make it a year that I can embrace and look forward to. I like keeping my private life private, and while I share a bit on social media, it’s been really peaceful to keep much of my life to myself and to those I love. I am immensely grateful to my friends and family who have been incredibly supportive this year and all years. And of course it’s been a blast getting to know more authors, readers, and reviewers through social media — I hope to meet so many of you in person soon!
Here are a few of my highlights from 2019, and a few things I am really looking forward to in 2020!
2019 in Review:
*StokerCon in Grand Rapids, Michigan was probably the highlight of my year. I wrote a recap of that here, so I won’t echo too much again, but in a nutshell I got to hang out with some of my favorite humans in existence and The Devil’s Dreamland took home a freaking Stoker Award, so it doesn’t get much more surreal and amazing than that. I also got to sit with Gwendolyn Kiste who has become such a sweet friend and watch her win an award for The Rust Maidens, which was spectacular!
*The Devil’s Dreamland: Poetry Inspired by H.H. Holmes was included in Night Worms! (yay!)
*My debut novella, To Be Devoured, was released in July by Unnerving! I was nervous about this book, so to see positive (and repulsed) receptions and reactions of this sick and twisted glimpse into my prose has been incredibly motivating. Thank you to everyone who picked up the book and dared to dine with the vultures.
*To celebrate the tenth year of Women in Horror Month this past February, I did 10 posts (9 of them feature interviews) with some incredible ladies in the genre that I hope you will check out if you did not before!
*Having my short story, “Smeared Star in Your Hands” be selected from over 700 others to be included in The Twisted Book of Shadows (I doubt myself a lot as a short story writer, so this was an amazing moment)
*Some other writing-related things I enjoyed this year included this podcast interview by Unnerving’s Eddie Generous with myself and Gwendolyn Kiste, guest editing an issue of Eye to the Telescope that featured an infection theme, writing up a post called “Killing the Tortured Artist” for the Ladies of Horror Fiction, doing this in-depth interview by David Cowen who asked such wonderful questions, and chatting about Pet Sematary with the Ink to Film Podcast!
I was fortunate to do a few other podcasts and posts this year, all of which are compiled here (plus other years) if you are interested.
*Shortly after StokerCon, Mike Arnzen and I collaborated on getting the HWA Pittsburgh Chapter up and running! We had our first two meetings this year and are greatly looking forward to the future of the chapter. Thank you to everyone who has attended meetings, helped organize events and readings, and been as enthusiastic as we are for this creation! If you are local and interested in joining the HWA and our Pittsburgh Chapter, email us at email@example.com
Bring on 2020:
What am I working on for 2020? Right now it feels like a million things, but let me share what I can…
*My third poetry collection, which is inspired by the Black Death and other plagues and diseases is coming along (I should be able to share more about this soon!) — you can read a poem from the collection below!
*I am currently working on a really cool collaborative project, but that’s all I can say for now 🙂
*I am so looking forward to working with my mentee through the HWA Mentorship program! (*waves* hi Angela!)
*Also looking forward to FINALLY attending Scares That Care! I will see you in Virginia this summer if you’re going — please come say hi!
*One of my biggest goals this year is to write a novel I’ve been plotting; if I can get a draft done by the end of the year, I’ll be thrilled
*And finally, perhaps what I am most excited for….NOT ALL MONSTERS! (!!!!) This gorgeous book brought to you by Strangehouse Books will be out in Fall 2020. It is all full of deliciously dark stories by women who write horror, and I cannot wait to get this beautiful beast into your hands. Check out the TOC here.
It has been an honor to be the editor for this project, truly. Huge thank you to Nicholas Day and Don Noble for their organization, team work, art work, and for being lovely humans.
*All in all, 2020 is shaping up to be busy. I am excited for the challenges, for the late nights and early mornings, for new adventures and for something that I hope continues to give me courage. I wish you all nothing but amazing successes in the new year.
And finally — thank you to everyone who voted on my Twitter poll for which poem I should share from the new collection. I hope you enjoy reading this piece, “Blackbirds, Black Death”
Blackbirds, Black Death
Blackbirds outside my window
have you come to take me away?
My sister is dying, but together we waste
and count the days, the days, the days…
I’d rather follow you into the skies
away from choking black smoke,
away from dark soil where death blooms
on grotesque petals and charcoal stems
swell until blood drips down the stalks.
Bells sing distorted songs in the distance
chiming again for departed souls, striking
melodies against the harsh growl of thunder,
but sister still dies, crinkled like a lifeless spider
in my arms, for she is dead, and I am dead
in this place the blackbirds call home.
When blackbirds come to drain my blood,
their beaks stuffed with straw and juniper
I offer my eyes as penance for sin, to combat
God’s severance, but we are despised
and left nothing but rot, and ruin, and rats.
When blackbirds come to take her away at last,
we decompose together, imprinted memories
stain childhood blankets, infection reeks
from frayed threads as doctors dressed in black
pretend they are birds, but it is too late,
and I no longer count the days, the days, the days…
We twine together and choke, smoldering embers
of our home reach across the floor
colored in our bloodletting, yet the smoke
smells like mint as the blackbirds retreat,
and we will never follow them into the skies.
Because when blackbirds come, they are but men
buttoned up in masks, coats, and presumptions
that they know better, they know a cure,
but they know nothing except death,
the scent of putrid bodies mixed with herbs,
the swelling of buboes before they burst.
Sister, we once planted imaginary gardens
for imaginary birds, but now blackbird men
have materialized from that secret place
and stand guard outside my window,
have they come to take me away?
Dear sister is dead, so together we waste
and count the days, the days, the days…
Thought Halloween was the last of the horror holidays? Nah. I asked Twitter users for some ideas on Small Business Saturday for horror businesses we could support. I enjoyed looking through the stores and websites so much that I thought I’d make a quick post with links/info on how to find these cool and unique shops so we could support them all year long! Check them out:
Night Worms — Horror will be your happy place here with exclusive book club packages
and goodies that you won’t regret subscribing to. I subscribe to Night Worms myself and can confirm that I’ve absolutely loved every package I’ve received. *Books and goodies
Let’s Get Galactic — One of my favorite book reviewers, Cassie, combines rainbows and horror, which I think is genius. Her work is beautiful and makes me so happy. Check out the photo of the Poe mug I bought from her shop. You can’t go wrong with her work! *Bookmarks, mugs, various artwork, and more
7Fetishes — Another amazing Etsy shop. This one was recommended by my friend Nelson Pyles who has great taste because the work here is stunning! *Various artwork
GrindHaus Podcast — For my podcast lovers out there, this one covers a lot of horror and cinema from a filmmaker perspective! *Podcast
Two awesome recommendations from Christa Miller are Elegant Gore (I love this name) and Wes Brooks. These links are for their beautiful insta but check out the respective websites at Elegant Gore’s Etsy and Undead Speed Equipment! *Stickers, prints, shirts, art, and more
Velvet Hand Designs — Shout out to the wonderful Tracy (@tracy_reads79) for
recommending this AMAZING shop! I already ordered work from here and am a little obsessed. *Various artwork
Die With Your Boots On — I love this recommendation from Jenna Moquin. Horror Christmas sweaters and more! *Clothing, patches, pins, and more
Goods and Evil — From their website: “If you could mix together all the things that make you happy and those things were Sci-Fi, being Vegan, Horror movies, Pop Culture, Art and Punk Rock, you would get Goods And Evil.” *Shirts, hates, decals and more
Dark Delicacies — A great recommendation from Just Dee on Twitter for this place I really want to check out if I ever get back to Cali, but they have an online shop, too! *Books, clothes, collectibles, and more
Witch Baby Soap — Their products are probably the best smelling things I have ever bought. Notice my collection below — I might have a problem. *body butters, oils, bath products, and lots of witchy goodness
Beautiful Carcass — Another great name. *From their website: “Pleasantly Grim & Handcrafted Skincare Products”
Horror Decor — I bought a Jack the Ripper pillow from here years ago; they have a lot of interesting things! *Home decor of all kinds
You already know I’m obsessed with these bookmarks. I mean look at my collection. Plus, Karlee is awesome. *Bookmarks, prints, and more
And since I live near the area, some great places to check out in Pittsburgh:
Small and Indie Horror Presses:
*There are MANY more — I just ran out of brain power. Feel free to leave me comments on any more shops or presses to add!