WiHM: NOT ALL MONSTERS Roundtable Part IV

Welcome back to the fourth and final roundtable question! Thank you SO much to the authors behind Not All Monsters for sharing their ideas, insights, and inspirations! Check out all the roundtable questions here.

How do you think being a writer has helped you as a person? Who are some contemporary women in horror that you love reading? 

 

angela-sylvaine-

Angela Sylvaine

Angela Sylvaine: I think being a writer helps me understand that every character, and therefore every person in real life, is rich and complicated. Good or bad, we all have motivations and baggage and fears and dreams. No one is just what they appear to be on the surface.

Some of my favorite recent women’s horror includes Bunny by Mona Awad, which was achingly beautiful, extremely brutal, and completely confusing. I’m still not sure I understand what happened in that book, but I was enthralled. In young adult horror, I loved both Not Even Bones by Rebecca Schaeffer and The Sawkill Girls by Claire Legrand. Both featured richly developed young women as strong characters, and I love reading great YA horror.

Hailey Piper: Writing has helped process dealing with various aspects of life, and I’d like to think that gives me a better understanding of what I’m going through. It doesn’t always work, of course.

As for contemporary women in horror, that reading list is a mile long! But Sara Tantlinger, Claire Holland, Marjorie Liu, Joanna Koch, Eden Royce, Christa Carmen, Gwendolyn Kiste, Priya Sharma, Eliza Chan, Laura Mauro, A.C. Wise, V.H. Leslie, Tracy Fahey … I could go on. Forever.

Joanna Roye: Becoming a writer has actually helped me become more sure of myself, of my identity and place. By figuring out my voice, it’s helped me reflect on who I am and how I can interact with the world. I love reading Gwendolyn Kiste, Kelly Link, Tananarive Due, and Mariko Koike.

Joanna Koch: I used to do art to get the demons out. Words require commitment. I’ve become more honest with myself and with others through writing. Dare I say I’ve become more human? I guess I’m going to get kicked out of the robot club now. I was really counting on that new mechanical body. Damn.

There are too many excellent female identified authors to keep up with in horror! My TBR list is ever-expanding. It’s a good problem to have.

Fellow “Not All Monsters” authors I’ve loved reading include Christa Carmen, Jessica McHugh, and Hailey Piper. Piper is a favorite who I’ve watched grow tremendously over the past year. I can’t wait to see where she takes her work in the near future. Writers who glean literary respect beyond the genre like Carmen Maria Machado, Kathe Koja, and Alma Katsu blow me away with vastly different but equally rich and complex works. Some women I’m planning to read more of soon include Georgina Bruce, Gwendolyn Kiste, Damien Angelica Walters, Claire C. Holland, Laurel Hightower, Stephanie Wytovich, and Christina Sng. I do love a good horror poem, and your name definitely goes on my list! I’m honored to talk with you, Sara!

Leslie Wibberley: CNF allows me to explore my reactions to problematic events in my

Leslie Wibberley

Leslie Wibberley

life, either in the past, or as they unfold. Once the emotion settles, the act of writing those reactions on the page allows me just enough distance to be objective, helping me to work through the issues.

Fiction does the same. Placing my characters into challenging situations and playing with their reactions, often helps me in my own life. But unlike CNF, I’m the one who chooses the final outcome, and I love the heady sense of power that brings.

A few of my favorite women in horror are Angela Slatter, Kelly Link, Carina Bissett, Angela Carter, K.T. Wagner, Shirley Jackson, and a fresh new voice in the horror world, whose writing is as lyrical as it is disturbing—Sara Tantlinger.

Christa Carmen: Being a writer has helped me as a person in that it gives me a creative outlet for all the things I love or fear or obsess over or just want to know more about in the world. Being a horror writer in particular allows me to grapple with issues that worry me or invoke unease, and I’m grateful that I discovered early on that it was, indeed, horrorfiction that allowed for this in-depth exploration as opposed to, say, poetry or creative nonfiction, because I’m far better at penning a horror tale than I am at conceptualizing a memoir or stringing together a haiku.

Some contemporary women in horror that I love reading are Gwendolyn Kiste, Stephanie M. Wytovich, Nadia Bulkin, Ania Ahlborn, Jac Jemc, Alma Katsu, Christina Sng, Elizabeth Hand, Nancy Holder, Joyce Carol Oates, Claire C. Holland, Anya Martin, Erin Sweet Al-Mehari, Renee Miller, Theresa Braun, Carmen Maria Machado, Kelly Link, Damien Angelica Walters, Lauren Groff, Caroline Kepnes, Ruth Ware, Sarah Pinborough, and all the amazing women in the Not All Monstersanthology.

Briana McGuckin: It comes back to that idea of subverting power as therapeutic. I have cerebral palsy, and when I was a kid – when I started writing – I was skin, bones, and surgical scars. I was in and out of a wheelchair. The only extra-curricular activity I did was dance class, as physical therapy – but there were recitals, so I always felt I was bringing everybody else down. When I rode the short bus, I got shoved in lockers and called “retarded.” I knew I was smart. It’s not that you believe what bullies say about you – it’s that you know they’re wrong, and yet there’s no changing the atmosphere. You don’t make the rules. But when you write, you control everything. You can put down what it feels like to be you, and no one can erase it. It gives you space for your narrative.

As for contemporary women in horror, I just read The Little Stranger by Sarah Waters. It’s packed full of everything you want in a classic gothic horror novel – the old house, the weird family, things being on fire – and yet it’s so readable for a modern audience. It feels like rich, aged, time-tested fiction.

Jennifer Loring: Much like reading, writing helps you become empathetic. This is especially important when you’re writing characters that aren’t representative of yourself, as I often do. Being a writer has also helped with my anxiety disorder; I used to avoid public speaking and social events in general, but now I love attending conferences and conventions and getting to know other writers. As far as contemporary women horror writers, I love Gwendolyn Kiste, S. P. Miskowski, Livia Llewellyn, Gemma Files, Kristi DeMeester, Betty Rocksteady—and you, of course! 😊 Also, despite not being “horror” writers per se, Gillian Flynn and Sara Gran have written some pretty horrific stuff (Sharp Objectsand Come Closer, respectively).

J.C. Raye - Mercury

J.C. Raye

J.C. Raye: I am ashamed to say that I have learned more about geography, culture, and world history from writing my first dozen short stories than during my entire K-College education. I spent the first twenty years of life trying to get by without studying all those juicy details which make a story rich. Now, I can easily spend two weeks seeking out exact names of native foliage for a midwestern ghost town, studying traditions of Vietnamese paper-lantern making, or discovering what caves exist off the coast of Ireland.

I love reading ANY women in horror. Hell hath no fury like a woman scorned. And the darkness of a woman’s imagination truly has no bottom. Want to stay up nights? Yeah? Read a horror story concocted by a woman.

Juliana Spink Mills: I came to writing late, though I’ve loved words my entire life. I only started writing seriously when I turned 40 and my kids were old enough to not need me all the time. Writing grounds me, but also gives me room to spread my wings and soar. It’s something all mine, a myriad of secret worlds to explore and special places only I can access and bring to life. Writing completes me.

As for other writers, I tend to read more fantasy and sci fi than horror, though there is a lot of bleed-through (ha! blood!) from one to the other. I loved Holly Black’s Folk of the Airtrilogy, for instance, which is technically fantasy but does have some horror elements. Northern Irish writer Jo Zebedee definitely blurs that line between horror, sci fi, and fantasy, and I’m a huge fan of her work. In her Waters and the Wild, for instance, she goes quite dark indeed. And in terms of actual horror writers, you can’t go wrong with the fabulously talented Gwendolyn Kiste.

G.G. Silverman: Writing has helped me have a safe space to explore my own thoughts and feelings. It has also helped me become more empathetic, and notice more about my surroundings, and about people. It forces me to be mindful, and present, and to witness. It has also brought me great friendships, people I’m certain I wouldn’t have met if it weren’t for my writing habit.

As for contemporary women in horror I love reading, I really love Carmen Maria Machado. Joyce Carol Oates’ work is also really amazing. Then there are peers who are doing great stuff, like Sarah Read, Stephanie Wytovich, and Gwendolyn Kiste. There are so many great female voices in horror. It’s an exciting time to be a writer *and* a reader.

Amy Easton: For me, writing is invaluable for making sense of the world and my place in it – I would be far less grounded without it. I love bringing narrative elements into my therapy work and horror is particularly well-suited for meaningful representation. I tend to read nonfiction soam excited to explore the darker side of fiction through the works of my anthology sisters! As for recommendations, current favorites are Kier-La Janisse’s House of Psychotic Women and Sady Doyle’s Dead Blondes and Bad Mothers.

Kayleigh Barber: I think being a writer has helped me in so many ways. It’s helped me

Kayleigh Barber

Kayleigh Barber

develop my sense of empathy, as well as helping me step out of my comfort zone. There have also been times when it’s been an escape, a way to step back from life or even my own brain and work through things in a way that I can shape and control.

For female horror authors, I’ve loved everything I’ve read by Sara Tantlinger. To Be Devoured still makes me shudder when I think of certain scenes. Mira Grant’s Feedtrilogy is one of my all-time-favorite reads. Donna Lynch’sChoking Back the Devilwas wonderful. I also have books by Gwendolyn Kiste, Sara Gran, and Christa Carmen that I can’t wait to read!

Annie Neugebauer: Writing has helped me in more ways than I can easily pin down and articulate. I do know that writing has been a creative outlet for me, of course, and a way to better understand myself and other people. It’s one of the ways I process life and explore the world. It’s also an escape: something that’s mine and only mine that can always be exactly what I want it to be. It’s given me empathy, wisdom, healing, understanding, joy, and contentment. But all of that sounds trite compared to how it feels.

As far as contemporary authors go, I’m absolutely obsessed with Tana French’s work. She’s incredibly brilliant, whether veering toward or away from horror. I also consistently love Gillian Flynn, Laurell K. Hamilton, Gemma Files, and Sarah Waters. And I’ve read fantastic books lately by Zoje Stage, Catherine Burns, Lauren Beukes, and Marisha Pessl. That’s just the tip of the iceberg; there are so many women crafting incredible short fiction, for example, that I can’t even begin to list them all!

J.H. Moncrieff: Writing has helped me use my voice to educate and inspire others, and hopefully help them see things differently. When I’m writing regularly, I’m a much happier, more content, and focused person. I’m never lonely because my characters surround me. Writing helps me unpack a lot of negativity, worries, and fears that would probably otherwise drive me crazy, like the poaching and senseless killing of animals (see #1). As for contemporary women in horror, I love Catherine Cavendish, Somer Canon, Lee Murray, Susan Hill, and Sarah Pinborough. I’m probably forgetting many, so please forgive me.

Sam Fleming: I’m neuro-atypical and have hypergraphia. I’ve been writing since I could hold a pen. It took about four decades for me to start submitting, though, and I need to differentiate between the writing I do because I haveto, and the writing that tells stories. Being the kind of writer who sends stuff out has made me much more robust to, and yet also open to criticism, and taught me to be kinder myself. I am a terrible perfectionist, and competitive to boot, but you can’t control what an editor wants to see. You might have a great story and still see it rejected, because it wasn’t right for that market at that time. It has enabled me to segregate personal criticism from criticism of my work, and my time in crit groups has taught me to be more sensitive to other people. I’m so much better at tailoring a message for my audience than I used to be.

I have favourite stories rather than writers. I loved Michele Paver’s Dark Matter, and Carole Johnstone’s “Better You Believe”. That said, if a contents page lists Kelly Robson, A.C. Wise, Leah Bobet or Gwendolyn Kiste, I’ll probably read those stories first.

Jessica McHugh

Jessica McHugh

Jessica McHugh: I don’t think I’m great at expressing myself verbally. When I was a kid, I’d often sit up in bed at night besieged by anxieties I couldn’t articulate, so I’d just scream at the top of lungs. My poor parents probably thought I was being murdered the first time it happened. Even when I got better at discussing my feelings, I’ve always felt more comfortable channeling them through a character. Flannery O’Connor said, “I write because I don’t know what I think until I read what I say,” and that rings true for me as well. Writing is screaming at the page, and editing is figuring out why I needed to scream in the first place.

When it comes to contemporary women in horror, it almost hurts not to list 20+ names because there are so many kickass ladies rocking the genre right now. Some of my favorites are Betty Rocksteady, Damien Angelica Walters, Stephanie Wytovich, Sarah Pinborough, Carmen Maria Marchado, Sheri White, Emma Johnson, Sarah Read, Tananarive Due, and Lucy Snyder.

K.P. Kulski: Writing is the ultimate outlet. There’s that great quote attributed to Sappho floating around the internet, “what cannot be said will be wept.” I really want that quote to be something Sappho said, but there is no proof of that. However, I love the quote even if she didn’t say it. I think it also describes what writing can do. Fiction can be the display of truth through the creation of lies. Words like sorrow and rage by themselves convey nuanced meanings, but works of fiction give us the depth of the meaning. We can say, “I am sad” but saying it with a story is the weeping of truth that cannot ever be given proper justice without the fiction.

I can gush forever about writers, especially women writers. I recently read Shawna Yang Ryan’s Water Ghostsand it is the most crushing, beautiful and haunting story. It flits along the threshold of horror, but that’s something about it that I absolutely adore. I’m a fan of graphic novels as well so I have to mention Marjorie M. Liu’s Monstress series, not only is the story and world gripping, the art by Sana Takeda is horrifying and breathtaking and gorgeous all at once. I had the honor of being at a poetry reading with Donna Lynch, Saba Razvi and a woman named Sara Tantlinger… you might know her. I’m pretty sure I looked like a rabid fan as I immediately purchased their work so I could spend my life reading their books by candlelight. I may have also used their poems to curse the wicked. As one does.

WiHM: NOT ALL MONSTERS Roundtable Part III

Welcome back! If you missed Part I and Part II of my roundtable with the amazing authors of Not All Monsters, make sure to check them out. Nick Day recently sent me a hardcover proof of the book, and it’s safe to say I’m obsessed and this book is going to be a beautiful collector’s item.

What would be your dream job besides being a successful author?

Annie Neugebauer

Annie Neugebauer: Probably a professional organizer and/or interior designer. I have a passion for home aesthetics, and a knack for helping people sort through their clutter. On the other hand, I can also easily imagine loving being a lit professor!

Angela Sylvaine: I would love to be a chef or a food critic. I enjoy cooking and when I travel, I love to try new and interesting foods.

Briana McGuckin: I was an academic librarian before I started pursuing my MFA full-time, and that was close to perfect for me. I love doing research, and I love re-framing ideas to help people understand them or see them in a new way. I got to do a bit of teaching in that position, and I wish I could do more. I just want to get to the bottom of everything – anything, whatever’s weighing on a person’s mind when they talk to me. They’re the same, I think – emotional upset and the thirst for knowledge – because that’s when we want to know things: when we feel we’re missing something important. I’ve been told I missed my calling as a therapist. But my favorite writers are my therapists for the time that I am reading their work, so maybe I’m still well-situated for that.

Juliana Spink Mills: Travel writer! Especially now that my kids are nearly done with high school and almost ready for college…

I traveled a lot when I was younger; to Australia and around Europe. All over Brazil. To Peru with my now-husband (and then-boyfriend). A group of us once drove over 8,000 miles from Brazil to the southernmost tip of Ushuaia, in Tierra del Fuego, and back again, crossing Uruguay, Chile, and Argentina. I’ve skied the Rockies, the Alps, and the Fitzsimmons Range. After college, I spent two months backpacking Canada by myself. I love traveling. And hey, I could write my fiction at the same time; perfect!

Leslie Wibberley: I used to want to be a forensic sculptor, but sadly computer-generated images and reconstructions have now made that occupation obsolete.

I sculpt, but only as a hobby. But if I couldn’t write I’d be a professional sculptor. For me, sculpture is the only thing that has ever come close to the magic of writing. In both, we create something from nothing. Beautiful works of art from amorphous lumps of clay or imaginary worlds filled with people who don’t exist, doing things that never happened, using only thoughts and words.

Amy Easton: I think I am lucky enough to have it! I am a therapist working with survivors of trauma and there is nothing else I would rather do. One day, I hope to be able to live in the woods with a whole pack of dogs but I don’t think there’s much money in that path.

Christa Carmen

Christa Carmen: I’d either do something with animals—but something wild like assist a team of Australian biologists in cloning the DNA of a Tasmanian tiger to bring the striped marsupial wolves back from extinction—or something with the occult, like become a traveling tour guide for the most haunted places in America or the most sought after spirit photographer this side of the Great Beyond. See, this is why my actual dream job is to be a successful author, because the jobs I just described are ridiculous and seem completely made up.

Joanna Koch: Personal masseuse to an immortal and benevolent cat deity. Preferably a chunky ginger boy.

Jessica McHugh: I love dancing. In my life, I’ve been a ballet and tap dancer, a stripper, a Just Dance and DDR enthusiast, and I even trained to be a ballroom dance instructor. I don’t know how I’d make money doing it these days at nearly 40 years old, but hey, I guess that’s why it’s a *dream* job!

Jennifer Loring

Jennifer Loring: I did my undergrad in studio art; being an artist was my first real “dream job.” Obviously it didn’t work out, but I still dabble in several media—painting (digital and acrylic), collage, mixed media, book-making, photography. I’m debating whether to put an online store back up. I love a good side-hustle, but I’ve already got a day job and the whole writing thing!

K.P. Kulski: Archaeologist. I would be the female version of Indiana Jones. I would fight Nazi’s and make grand archaeological discoveries. Honestly, I’d also be happy being an archaeologist who lived in reality. I’d love to specialize in the ancient Celtic, Norse and Mongolian cultures. Yes, all three. I don’t care how far Mongolia is from the other two. I do what I want.

G.G. Silverman: I have always loved nature, and in our current time, news of places like Australia being destroyed by wildfire has really gotten my attention. I’m currently exploring opportunities to learn about how to make a better impact on the environment—whether or not that translates to a job that earns money remains to be seen. It’s important work, regardless.

I also love visual art, and am a graphic designer for my day job, so I’m looking at ways to expand my offering as an artist to include things that are more illustrative—successfully selling more visual art would absolutely be a dream come true.

I also love teaching (I currently teach creative writing at my local college), and community-building, and in the future I hope to build some kind of space (real or virtual) that brings people together to work on their own dreams, and support each other.

Hailey Piper: Multiverse cartographer. I’d write a guidebook and draw maps to parallel universes so people would know which to travel to … there are still books involved, but that’s different from being an author, right? There’s walking involved!

Art work by Don Noble

J.H. Moncrieff: A forensic psychologist (profiler) or a marine biologist, but since I haven’t actually done either job, it might be best to try them out first. I have been a journalist, a publicist, an editor, a marketer/communications specialist, and a teacher.

Sam Fleming: Climate Research Scientist in Antarctica? Dragon whisperer? Raven wrangler? When I was little, I wanted to be James Bond. I was oblivious to the misogyny, as a clueless 7-year-old, but being sent to dangerous places to save the world from bad people appealed. The Armed Forces wouldn’t have me.

I’m not sure it’s wise to have a dream job. You always have to sacrifice something, and then wonder whether or not it was worth it. If you can find something that makes you want to get up in the morning and do it, and someone is willing to pay you for it, then that is as close as you can get to a dream job. I know what I want from a job – to be needed and wanted (not the same thing), a moderate degree of excitement, plenty of variety and challenge, a degree of autonomy that equates to being left to get on with it, and knowing my efforts will leave the world a better place. Preferably without having to talk to too many people, but where I can bring my dog.

So battlewitch in charge of guarding a powerful sacred relic on a remote island, I suppose.

Joanna Roye

Joanna Roye: Running a horticultural garden to propagate native species of plants. Or bee-keeper, opossum rehabilitator? Something in the area of wildlife conservation.

Kayleigh Barber: I would love to open a bookstore, possibly with a café attached. Did you finish book 1 in a series at midnight, and now you need book 2 and some caffeine stat? Come on in, or choose the delivery option at checkout!

J.C. Raye: Goats. I’d like to raise them. Run with them. Build massive wooden jungle gyms for climbing and watch them knock each other off in their seemingly endless game of king of the mountain. That game never gets old with goats. Watch them sometime and you’ll see.

WiHM: NOT ALL MONSTERS Roundtable Part II

If you missed Part I of our roundtable, find it here!

If you could transport yourself to any time period and place for a year to write a book that took place in that same setting, where would you choose to go?

 

 

J.H. bio photo

J.H. Moncrieff

J.H. Moncrieff: I’m working on a series set in ancient Egypt, which has been a complete nightmare. It would be so much easier to just live there for a year, and experience things as they actually were.

Joanna Roye: The Terminal Classic period of the Mayan empire, either in bustling Chichen Itza or the partially abandoned regions of central Peten. 

 

Sam Fleming: All my stories are alternative Earth stories (even the ones set very far away start here if you go back into their history far enough – I’m one of those writers who keeps world bibles). They are set in places that are familiar, but not exactly the same as here. I have a story in Clockwork Phoenix 5that is set in a version of our world, but say, twenty minutes into the future (to quote Max Headroom), and with added magic. If I could spend a year in the ancestral pile of the family that world revolves around, I would love to do that. So many stories! It would be like John Crowley’s Little, Bigas told by Scottish Twitter. And yes, for those who are interested, “Pretty Little Vampires” is set in the same universe as “The Prime Importance of a Happy Number”.

Jennifer Loring: That’s a tough question! I think I would probably want to be in Paris during the time of the Decadents and Symbolists. Despite being not particularly women friendly, I love so much of the literature and poetry that came out of the period, and I imagine it would be very inspiring for my own work in turn. 

 

Hailey Piper author headshot large

Hailey Piper

Hailey Piper: Assuming I was completely safe to write? I’m not sure where, but the time period would be among prehistoric humanity, when our species seemed to have little chance of survival, the shadows loomed largest, and we were first developing the concepts that would both explain the world and help it haunt us for ages to come.

 

 

Kayleigh Barber: I’d have to say sometime between the late 70s/early 80s. That’s when the slasher genre really took off; I’d love to write a book along that same vein.

Jessica McHugh: 1920s Baltimore. I’ve always loved the ‘20s, but I recently did a lot of research about living in Baltimore during the prohibition era for a Booze & Bites tour I lead in Frederick, MD, and I would love to set a novel there one day.

J.C. Raye: Oh my! England. Medieval times. Swords and sorcery and all that jazz. Wait, no! I completely forgot about The Inquisition. Those heresy-battling folks were quite fond of us roguey-breasted types. Maybe that’s not too good an idea. Ok. Well how about the Golden Age of Piracy then? 1700’s or so. Buccaneers. Tortuga. Life at sea. Oh. Right. The woman thing again. And there were only a few BlackBeard-ettes at the time. My understanding of history is that those gals didn’t end well at all. Hmm. What about the future then? Um, no. Civilization will probably morph into some Soylent Greenscenario, Charlton Heston or no. Women becoming the furniture which accompanied any apartment rental. Yeesh. This is hard. No point time-traveling to write the book if the chances of getting it back to the publisher are slim to none.

You know what? let’s just go with Central Jersey in 2020. That I can handle.

 

Juliana Spink Mills

Juliana Spink Mills

Juliana Spink Mills: I think I’d go and stay with my grandparents in the south of Brazil in the early 1950s. They lived in a self-contained company village belonging to a meat packing corporation, with its own stores and port, and a private railroad connecting the docks to the cattle ranch and processing plant. My mother always tells stories of running wild with her friends as a child, biking everywhere, playing by the railway tracks, and fishing from the docks. It’s basically a writer’s dream setting, with every possible element in one neat package: small town, farmlands, sea, port, railroad… It’s all there!

 

Christa CarmenI have actually been working on a novel for the past year set in Rhode Island at the end of the 19thcentury, and I would love to be transported back to that time period to see just how well my research has served me. New England is a place that has inspired no shortage of isolation and hopelessness, both in the people who have called it home and in those individuals who’ve felt compelled to write about the region; I’d be curious to witness some of the paranoia and fear that caused events like the Salem witch trials or the Mercy Brown vampire incident of 1892—which is what my novel is based on—firsthand… from a safe distance of course, so I could avoid being burned or stoned or having my tuberculosis misdiagnosed as vampirism! 

Leslie Wibberley: Salem, Massachusetts in the year 1692, just as the witch trials were beginning. I’d love to write the story of a powerful witch who changed the outcome of those trials by educating the people who would listen, and destroying those who wouldn’t. 

 

Joanna Koch

Joanna Koch

Joanna Koch: I’m torn. I can imagine so many fascinating times and places! I’d adore the chance to live contemporaneously with either the Impressionists or Surrealists in France at the height of those movements and just hang out. Painting, writing, arguing, starting scandals, and destroying everyone’s idea of good taste. What a blast.
I’d also like to visit our future, maybe after Mars has been terraformed by say, 2190. I’d like to see how we evolve as humans — will we become more mammalian (emotional, warm, connected), integrated with machines and technology (intelligent, efficient, individualized) or something utterly unpredictable? I’d like to see how leaving or losing our home planet changes us. Actually, can I have more than one year, please?

 

Briana McGuckin: I’m working on a gothic novel that’s a cross between Secretary andTess of the D’Urbervilles – a Victorian BDSM novel. And I’m trying to show what responsible BDSM looks like, because I think what we tend to do more often is make Dominants titillating villains and then “fix” or tame them, which is problematic for readers owning their desires and for the BDSM community. Anyway, believe it or not, the Victorians got up to some kinky stuff. I’d love to plop myself down in the middle of those secret spots because, even having done the research, I still can’t quite make the high-society drawing room and bondage play mesh in my mind. It’d be fun to be a fly on the wall, to really get the feeling right, because I think of BDSM as sort of like dreaming, or therapy: it’s a way of processing the rest of one’s life, for catharsis. There are powerful forces at work on you whatever time period you live in, and BDSM lets you subvert that power – lets you play with it, for a little while. Against what were those Victorians rebelling? You’d have to be there, to sense it.     

GGSilverman_Dec2018

G.G. Silverman

G.G. Silverman: The Victorian period seems super interesting to me. The way melancholy, memory, and mourning was so ritualized, with its own uniform: mourning jackets, and jet jewelry, and jewelry made from a loved one’s hair. I would love to explore that some more.

 

Amy Easton: I was three years old when the nuclear disaster at Chernobyl took place and I grew up with an awareness of the impact of this terrible event. I visited Pripyat a decade ago and fell in love with the abandoned beauty and the incredible resilience of those still living and working there. To live in Ukraine during the 80s or 90s and write about the affected communities, wildlife and environment would be a wonderful experience.

Annie Neugebauer: Hmmm. Dangerous question! If I’m granted some sort of safety net that protects me against, say, catching the plague or being kidnapped by pirates, I’d love to go to a castle in the south of France in the early 1600s to research for my gothic novel series. If there isn’t any “save game” button, I think I’ll stay right here and keep using research and my own imagination. 🙂

K.P. Kulski: I have to write a book? I mean, my choice would be a shieldmaiden during the Viking Age, so I probably won’t have a lot of time for writing as I will be cutting down my enemies and stealing their stuff. In this imaginary life, there wouldn’t be sexism, there would be antibiotics, daily baths and I would be the best fighter on Earth. To be fair, the Norse were remarkably well-bathed and groomed for their time, but more cleanliness is good. Eventually, I become a general of a whole army of shieldmaidens and we take over the world.

Women in Horror Month 2020: The Authors Behind NOT ALL MONSTERS

This year for Women in Horror Month, I am ecstatic to bring you a roundtable feature each Monday with the authors behind Not All Monsters, an anthology by women in horror that will be out later this year from Strangehouse Books.

Thank you so much to the authors who could join me and so generously shared their time by answering these questions. You can check out the bios for all the authors in the anthology here.

Enjoy!

Without giving away any spoilers, tell us a little bit about your story in the Not All Monsters anthology. What’s the title? Was there any particular inspiration behind the tale? 

 

K.P Kulski

K.P. Kulski

K.P. Kulski: I think as women we are all so intimately aware of the threat of sexual violence as well as the emotional destruction of body shaming and beauty standards. Too many of us are more than just aware. “Black Feathered Phlogiston” is about being pissed off as hell. It’s about women who are just done with the whole system. We’ve been eating shit for so long that it changes us. Phlogiston was an 18thcentury pseudo-science word for the element believed to be contained within every combustible. Like something just waiting to be ignited. The black feathers refer to harpies, cause harpies are cool.

Joanna Koch: My story “The Revenge of Madeline Usher” makes no secret about its inspiration. At age eleven, I discovered Poe. I was obsessed. Of course, I didn’t know the word misogyny and didn’t apply any sort of critical framework to his writing. Revisiting “The Fall of the House of Usher” decades later, Madeline’s near absence from the tale shocked me. Her presence haunts the original, yet she never speaks. She has no “screen time” besides the male glimpse. She’s not there long enough to call it a male gaze! I recognized this situation all too well. How many women have I known who were eclipsed by men, regardless of their importance in a family, job, or community? How many have been left out of history, and the arts and sciences?

I wanted to give Madeline a voice, and turn Poe’s (unintentional) misogyny inside-out. I also wanted to play with his style, and indulge myself with elaborate sentence structures and ten pound words. For this story, I let my purple prose flag fly.

Christa Carmen: I’ve always been fascinated by the ‘but he was such a nice guy’ refrain that occurs after the Ted Bundys and John Wayne Gacys of the world are discovered. When Ariel Castro was found to have kidnapped three the women, keeping them locked in various parts of his Cleveland, Ohio home for eleven years, neighbors and family members recalled going to Castro’s house for BBQs and Thanksgiving dinners. Castro’s own inability to see himself as anything but a “nice guy “and “not a monster” is beyond horrifying, and that dichotomy between the way monstrous men see themselves and the actual, barbarous ways they harm the women unfortunate enough to land in their paths was the inspiration behind this story.

The title, “And Sweetest in the Gale is Heard,” is a line from the Emily Dickinson poem “Hope is the Thing With Feathers,” and arose from my musings over what could possibly be strong enough to carry someone through the trauma of being held captive by a vile monster in a basement without egress. I realized that, in a situation so appalling, a feather may be plenty strong enough to place one’s hope upon, when hope is such a fragile thing.

Leslie Wibberley: My story, “Unfettered”, first took life in a story generation class taught by the wonderful Carina Bisset. In these classes, Carina pairs fairy tales, folk tales, or world myths with a scientific theme. “Unfettered” was inspired by the fairy tale The Firebird, and bioluminence. After a long journey that encompassed multiple versions and countless rounds of revisions, it arrived at its final destination. A magical realism tale featuring a former ballet dancer whose career was cut short by a terrible car accident, and the abuse she suffers before her resourcefulness and fortitude lead her to a new world of infinite possibilities.

Briana McGuckin: “The Good Will” envisions an after-life in which gods are dress forms

McGuckin_Briana_Una_Photo

Briana McGuckin

and the soul is a quilt. It’s a playful take on ancient Greek philosophy. Socrates says that there are “forms,” or blueprints, for everything. There’s a form for a tree – the perfect tree. But there are also forms for truth, justice, goodness – things that confuse us in the mortal world because they are imperfect, clarified to their essential parts.

According to Socrates, when a soul leaves the body, it looks upon these forms and understands what truth, justice, and goodness actually are. When the soul enters another body, it gets distracted and forgets. This is meant to explain learning – how we come to know things we don’t know. Socrates says we are remembering.

So, I sent a character through that process, to meet the (dress) forms, and I based her on my mom – not the events of her life, but her struggle with identity. It felt important to the theme of remembering, because she remembers stuff she wishes she didn’t. But I believe that her knowledge of her past is essential to her deep inner strength because she knows what she survived; she knows she is a survivor.

Jennifer Loring: My story is called “A Certain Age,” and it was inspired by the Filipino legend of the aswang. This creature can represent a number of monsters (vampires, witches, werewolves, etc.), but during the day it blends in with regular people. At night, it shape-shifts to hunt. “A Certain Age” is about racism and misogyny, and always feeling out of place. The aswangseemed like the perfect vehicle for telling that story.

Juliana Spink Mills: My story “The Sugar Cane Sea” started, as many stories do, with an image. A farmhouse I remember visiting as a child in my home country Brazil, nestled like a gemstone in the middle of a sea of shivering, rustling sugar cane. From there, the questions emerged: why would my main character be there? Was this a safe port from a storm, perhaps? And if so, whatwas the storm that drove her there?

There is a lot of farming in the state of São Paulo, where I grew up — sugar cane, yes, but also oranges, coffee, cattle, and others. I visited a lot of farms and sitiosin my years in Brazil, and it was fun to draw out images from my past and stitch them together into something new — and perhaps a little more sinister than my sunny childhood memories!

G.G. Silverman: My story is called “The Miraculous Ones.” Inspiration came from a few places—my love of sea monsters, my Italian heritage (the setting was loosely based on the village my dad came from in Italy), and my experience as a recently disabled person. I wanted to explore the superstitious culture of my heritage, and I also wanted to write a story where baking somehow factored in (my dad was also a baker, in one of his first jobs in America). Plus, I was obsessively watching The Great British Baking Showat the time, and was hungry, A LOT.

Amy Easton

Amy Easton

Amy Easton: My story is “Wasted”. It was initially inspired by media coverage of convicted rapist Brock Turner but is also a reflection on the assumption that teenage girls hold all the sexual power within intimate relationships, as well as the weird conflation of sex and violence which seems so prevalent in Western societies.

Angela Sylvaine: The title of my story, “Antifreeze and Sweet Peas”, is a nod to Arsenic and Old Lace. Let’s just say poison is involved in both. The inspiration came as I thought about vigilantism. As a woman, I often feel that the system isn’t doing enough and that some of those who are guilty, particularly powerful or seemingly upstanding men, don’t get the punishment they deserve (for example, the many examples of convicted rapists receiving minimal jail time or probation). This tale follows a woman who is uniquely qualified to dispense justice when society fails to stop predators and explores the moral grey area and consequences of being a vigilante. 

Annie Neugebauer: “The Problem With Being a Monster” is a quirky story about a monster longing for human connection. It took its own path once it got going (as any good story is wont to do), but I started out aiming for that sweet spot between funny and scary that “Subsoil” by Nicholson Baker lands so beautifully. I think mine ended up more between funny and sad with a dash of macabre, but I’m not mad about that.

J.H. Moncrieff: The title of my story is “The Heart of the Lion”.It was inspired by the real-life death of Cecil the Lion. I’m a huge animal lover, and the thrill killing and poaching of animals infuriates me, so I thought it would be fun to write a story where the animals get revenge.

68856097_2506265212752389_3077253190370983936_o

Art by Don Noble

Jessica McHugh: My story “This Can Happen to You” was inspired by a real-life lottery win. In 2017, a Massachusetts woman won the largest single-ticket jackpot in North American lottery history and took the lump sum. Almost immediately, people were judging her for the decision, and I was so confused as to why strangers thought they deserved an opinion about it. Add in the fact that lottery winners in Massachusetts (and Florida, where my story is set) aren’t allowed to remain anonymous after claiming their money, and I had a bunch of elements perfect for an intrusive horror story.

J.C. Raye: The fine print and the aftermath. That’s “Cake”. Most of the fairy tales we clung to as children tie up the details oh so neatly at the end, don’t they? The pendulum swings one way or another. Main characters are either rewarded for their goodness and sacrifice, thus acquiring that dream come true, or are punished for their wickedness and greed. Here, you’ll find neither. Here, you’ll find the hell which exists between.

Hailey Piper: My story is “Without a Face,” and it follows Mercy Harper at her 30-year class reunion. A horrid incident at a now decades old fencing tournament has kept her away, but circumstances have pressed her to face the past. Only, a fencing mask has no face, and she sees that darkness everywhere she looks. I was inspired both by a fascination with the way a fencing mask obscures the fencer’s face and that attending a class reunion sounds like an absolute nightmare.

Joanna Roye: For “A Portrait of a Girl in Red and Yellow I was inspired by the true crime tale of the Three Sisters in Black. They were a triad of women who made a living via insurance fraud and eventually murdered their niece by drugging her and drowning her in a bathtub. I was fascinated by the alternate modes of power available to women of that era. How they can be twisted toward cruelty or embraced as secret freedoms. 

Kayleigh Barber: People tend to stop and stare at notorious things, but what happens when those things stare back?  “Midnight in the Garden of Life and Death” is about Jo, who works at a rather infamous farm near her hometown, and what happens one festival night when curiosity finally catches up with the cat.

Inspiration-wise, I was digging around on the internet, as you do, trying to come up with an idea for a story. Somehow in my searching, I came across a picture of a pitch-black apple. What sort of orchard would grow pitch-black apples? Thanks be to the Google Gods, because after the question popped into my head, I had to answer it.

Sam Fleming: Like many in the UK, I feed the birds in my garden. We Brits spend £200 million (about $260,362,000) on garden birds every year. More than half the UK’s species of birds dine out at our expense. One Christmas, we had family over, and one looked out

Sam Fleming

Sam Fleming

and said, “You’ve got a rat.”

Sure enough, there was a large specimen of brown rat performing acrobatics to get to the sunflower seeds. We could either tolerate the rat – which we did until another half dozen appeared – or… Not.

“Pretty Little Vampires” came from that, from experiences I had when I was warden for the Rollright Stones in Oxfordshire, and with various would-be witchy types in general. There’s a naivete in certain samples of the pagan population, which I used to think was just ignorance but later decided was willful. I don’t want my characters, particularly not the women, to languish in willful naivete. It’s one thing to start out believing that all is white candles and roses, but it’s another to maintain that belief in the face of evidence to the contrary.

Women are more than capable of dealing with bad things. Even when men are giving them bad advice.

 

 

 

 

 

 

2019 in Review

10907979-7F60-45BA-A881-07E7078CA2D6I keep struggling with how I want this post to start. When I reflect back on this year, even though some really great things happened, there is also a sense of relief in this year being done. 2019 came with fantastic high points, and stressful, anxiety-inducing challenges that led to some rough lows for me. Some of the most impactful lessons I learned this year were that I need to be busy — I like being busy and it helps me thrive, but at the same time if I don’t learn to manage my stress better, I am afraid I’ll drive myself into an early grave because of how damned awful stress can be on your mind, body, and willpower. I hope 2020 shows me a better way to live (honestly being an overworked adjunct has just chewed up my soul, so send me good vibes in my job search for this year, please); again, I like being busy, but I don’t like being so overworked and underpaid that I feel desperately hopeless. I recently felt so guilty that I did not make my small Goodreads goal this year, but then I remembered how long I spend reading hundreds of student papers, journals, projects, and more in order to provide substantial and helpful feedback, so hey, fuck that guilt.

I want 2020 to be a year of hope, and a year where I do not feel guilty for things like the above example. While some things are out of my control, I will do everything in my control to make it a year that I can embrace and look forward to. I like keeping my private life private, and while I share a bit on social media, it’s been really peaceful to keep much of my life to myself and to those I love. I am immensely grateful to my friends and family who have been incredibly supportive this year and all years. And of course it’s been a blast getting to know more authors, readers, and reviewers through social media — I hope to meet so many of you in person soon!

Here are a few of my highlights from 2019, and a few things I am really looking forward to in 2020!

2019 in Review:

Screen Shot 2019-12-03 at 10.41.20 AM*StokerCon in Grand Rapids, Michigan was probably the highlight of my year. I wrote a recap of that here, so I won’t echo too much again, but in a nutshell I got to hang out with some of my favorite humans in existence and The Devil’s Dreamland took home a freaking Stoker Award, so it doesn’t get much more surreal and amazing than that. I also got to sit with Gwendolyn Kiste who has become such a sweet friend and watch her win an award for The Rust Maidens, which was spectacular!

*The Devil’s Dreamland: Poetry Inspired by H.H. Holmes was included in Night Worms! (yay!)

*My debut novella, To Be Devoured, was released in July by Unnerving! I was nervousTo Be Devouredjune2019 about this book, so to see positive (and repulsed) receptions and reactions of this sick and twisted glimpse into my prose has been incredibly motivating. Thank you to everyone who picked up the book and dared to dine with the vultures.

*To celebrate the tenth year of Women in Horror Month this past February, I did 10 posts (9 of them feature interviews) with some incredible ladies in the genre that I hope you will check out if you did not before!

*Having my short story, “Smeared Star in Your Hands” be selected from over 700 others to be included in The Twisted Book of Shadows (I doubt myself a lot as a short story writer, so this was an amazing moment)

*Some other writing-related things I enjoyed this year included this podcast interview by Unnerving’s Eddie Generous with myself and Gwendolyn Kiste, guest editing an issue of Eye to the Telescope that featured an infection theme, writing up a post called “Killing the Tortured Artist” for the Ladies of Horror Fiction, doing this in-depth interview by David Cowen who asked such wonderful questions, and chatting about Pet Sematary with the Ink to Film Podcast!

I was fortunate to do a few other podcasts and posts this year, all of which are compiled here (plus other years) if you are interested.

*Shortly after StokerCon, Mike Arnzen and I collaborated on getting the HWA Pittsburgh Chapter up and running! We had our first two meetings this year and are greatly looking forward to the future of the chapter. Thank you to everyone who has attended meetings, helped organize events and readings, and been as enthusiastic as we are for this creation! If you are local and interested in joining the HWA and our Pittsburgh Chapter, email us at hwapittsburgh@gmail.com

 

Bring on 2020:

What am I working on for 2020? Right now it feels like a million things, but let me share what I can…

Screen Shot 2019-04-28 at 6.23.47 PM*My third poetry collection, which is inspired by the Black Death and other plagues and diseases is coming along (I should be able to share more about this soon!) — you can read a poem from the collection below!

*I am currently working on a really cool collaborative project, but that’s all I can say for now 🙂

*I am so looking forward to working with my mentee through the HWA Mentorship program! (*waves* hi Angela!)

*Also looking forward to FINALLY attending Scares That Care! I will see you in Virginia this summer if you’re going — please come say hi!

*One of my biggest goals this year is to write a novel I’ve been plotting; if I can get a draft done by the end of the year, I’ll be thrilled

Not All Monsters*And finally, perhaps what I am most excited for….NOT ALL MONSTERS! (!!!!) This gorgeous book brought to you by Strangehouse Books will be out in Fall 2020. It is all full of deliciously dark stories by women who write horror, and I cannot wait to get this beautiful beast into your hands. Check out the TOC here.

It has been an honor to be the editor for this project, truly. Huge thank you to Nicholas Day and Don Noble for their organization, team work, art work, and for being lovely humans.

 

 

*All in all, 2020 is shaping up to be busy. I am excited for the challenges, for the late nights and early mornings, for new adventures and for something that I hope continues to give me courage. I wish you all nothing but amazing successes in the new year.

And finally — thank you to everyone who voted on my Twitter poll for which poem I should share from the new collection. I hope you enjoy reading this piece, “Blackbirds, Black Death”

 

Blackbirds, Black Death

Blackbirds outside my window
have you come to take me away?
My sister is dying, but together we waste
and count the days, the days, the days…

I’d rather follow you into the skies
away from choking black smoke,
away from dark soil where death blooms
on grotesque petals and charcoal stems
swell until blood drips down the stalks.

Bells sing distorted songs in the distance
chiming again for departed souls, striking
melodies against the harsh growl of thunder,
but sister still dies, crinkled like a lifeless spider
in my arms, for she is dead, and I am dead
in this place the blackbirds call home.

When blackbirds come to drain my blood,
their beaks stuffed with straw and juniper
I offer my eyes as penance for sin, to combat
God’s severance, but we are despised
and left nothing but rot, and ruin, and rats.

When blackbirds come to take her away at last,
we decompose together, imprinted memories
stain childhood blankets, infection reeks
from frayed threads as doctors dressed in black
pretend they are birds, but it is too late,
and I no longer count the days, the days, the days…

We twine together and choke, smoldering embers
of our home reach across the floor
colored in our bloodletting, yet the smoke
smells like mint as the blackbirds retreat,
and we will never follow them into the skies.

Because when blackbirds come, they are but men
buttoned up in masks, coats, and presumptions
that they know better, they know a cure,
but they know nothing except death,
the scent of putrid bodies mixed with herbs,
the swelling of buboes before they burst.

Sister, we once planted imaginary gardens
for imaginary birds, but now blackbird men
have materialized from that secret place
and stand guard outside my window,
have they come to take me away?

Dear sister is dead, so together we waste
and count the days, the days, the days…

 

 

 

 

 

Debut Novella Release!

I am so excited to share that my third standalone book is being released today! This is my debut novella, and I am thrilled to finally unleash its darkness. It is available in paperback and on Kindle here!

The wonderful and talented Gwendolyn Kiste and Christa Carmen blurbed the book — check out what they had to say!

“Sara Tantlinger’s To Be Devoured capitalizes on our macabre preoccupation with the uglier side of nature, with love that topples into obsession, and with madness that is strangely beautiful in its barbarity. Her writing is equivalent to those unremitting avian beings her protagonist is so enamored of: It will hook its talons through your flesh, sink its neck into the ribboned edges of your wounds, and only relinquish your blighted body when it has swallowed your very soul.” –Christa Carmen, author of Something Borrowed, Something Blood-Soaked, winner of the Indie Horror Book Awards for Best Debut Collection

“Vultures, obsession, and an unnatural hunger: What more can you want in a horror story? With To Be Devoured, Sara Tantlinger has done it again as she ratchets up the terror in wonderfully surprising ways while crafting prose that’s always a heady blend of the vicious and the vibrant. A book that’s absolutely not to be missed!” –Gwendolyn Kiste, Bram Stoker Award-winning author of The Rust Maidens

 

To Be Devouredjune2019

 

Monsters, Infection, and Carrion

ICYMI

*The cover for Not All Monsters, designed by the magical Don Noble, is live! I’m in love with it and want the design framed above my bed. It’s gotten fantastic responses so far, which makes me hopeful there will be good interest in this anthology and the future things we may have plans for… 😉 Stay tuned. There’s so much I want to say about the stories in the anthology, but I’m going to save it for later since the book won’t be out until Fall 2020. Good things are worth waiting for, my friends. We’re taking our time to make something really spectacular.

Not All Monsters

 

*There are 5 days left to submit to Eye to the Telescope #33 with the theme INFECTION, which I am guest editing. PLEASE read guidelines carefully. Poems MUST have speculative elements for full consideration. Deadline is June 15th. I look forward to your deadly contagions. I’ve already received hundreds of poems, so it’s going to be intense narrowing these down!

*If you missed it, Gwendolyn Kiste and I were interviewed by Eddie Generous for the Unnerving podcast. We talked about StokerCon and read excerpts from our upcoming books! My novella (paperback and eBook) will be out July 29th, but if eBooks are your thing, you can pre-order those.

Pre-order Gwendolyn’s chapbook here!

To Be Devoured-2*Speaking of my novella, the first early review is here! Thank you so much to Joe and Charlotte at Horrorbound for the review and interview. The review is lovely and made my entire month:

“While the story was fantastically and grotesquely perfect, it is not just the plot that has me gushing over this. The language in this novella is both beautiful and disturbing. Tantlinger shows off her mastery of language with incredibly poetic lines throughout the novella. I was in awe of the contrast between the perfection of the words used and the twisted subject matter they described.”

*Also last week, I stepped into Stephanie Wytovich’s Madhouse for an interview where we chatted true crime, H.H. Holmes, and more. Thanks so much to Stephanie for having me and providing great questions!

*Thanks for catching up with me — I’m working on story edits for Not All Monsters now and reading through the 300+poems I’ve received so far for ETTT, so maybe next month I’ll be caught up and get back into my own WIP project 😉

StokerCon 2019 Recap

Screen Shot 2019-05-14 at 9.04.46 PMWhat a weekend. Where do I even begin? StokerCon 2019 was an amazing adventure. Right off the bat I have to say my favorite thing was the support of this community. Seeing the amazing work that everyone is doing is really exciting. I think it also encourages each one of us to do our best and challenge ourselves, too. I look forward to the HWA’s continued outreach for diversity and inclusiveness. This is an area I am really aiming to be more proactive in, as well.

I don’t think I could capture everything in a recap post, but here are some highlights from my favorite parts of the trip:

*Reuniting with friends and making new ones — I’m going to try and remember names here, but if I leave anyone out it’s because my brain is fried, so I apologize if I miss anyone!

Something I was really excited about this year was that my good friends from graduate school, Kristy and Mike, were able to attend. Hanging out with them and catching up was wonderful. They are two of the best people I know (and are both killer writers). I also got to catch up with many people I haven’t seen in so long: The brilliant EV Knight who has a debut novel coming that I cannot wait to read; Bill and Jeanne Bush, Linda Addison, David Cowen, Marge Simon, Nick Diak, Matt Betts, Brian Keene, Wile E. Young, Chad Stroup, Tim Waggoner, Donna Munro, Hanna Gribble, and more — it was fantastic seeing you all again!

Screen Shot 2019-05-14 at 9.03.33 PM

Myself with Sarah Read and A.E. Siraki!

I also FINALLY got to meet online friends in person, which was so delightful. These people included Gwendolyn Kiste, Gabino Iglesias, Sarah Read, A.E. Siraki, David Busboom, Kathryn McGee, RJ Joseph, Kathleen Kaufman, Leza Cantoral, Christoph Paul, Gaby Triana, Cina Pelayo,  — even though some conversations were brief, it was incredible seeing you all in person. I hope we meet again! (sorry if I missed anyone, like I said, brain = dead)

*The poetry reading with Saba Razvi and Donna Lynch. This was honestly the most fun reading I think I’ve ever done.

 

The atmosphere was so relaxed, the three of us were into each other’s work, and everything was fun and supportive.

Screen Shot 2019-05-14 at 9.03.56 PM

Queens of Horror Poetry 😉

We had a great Q and A session with the audience after our readings, and I think we just really dominated as women in horror who write bloody good poems. Getting to know both of these ladies better and spending time with them was a real joy. Please check out their work!

*Panels: Moderating the historical horror panel was incredibly fun. I received great feedback from the attendees, which didn’t surprise me because the panelists are literal superstars, and their answers to my questions were informative, inspirational, and

Screen Shot 2019-05-14 at 9.04.33 PM

The awesome panelists for Historical Horror

genuine. Thank you again to Lisa Morton, Lisa Kroger, Kevin J. Wetmore, Alma Katsu, and Kathleen Kaufman.
*I was also on the weird poetry panel moderated by the wonderful David Cowen. I had a great time with my fellow panelists answering David’s thoughtful questions and delving deeper into how weird poetry can be defined.
*Also, the panels I attended were really fantastic overall — everyone killed it this year. Thank you so much to the organizers, Brian Matthews, and all the volunteers.

*And of course, the Stoker banquet Saturday night. Saturday was especially exciting to

Screen Shot 2019-05-14 at 9.03.15 PM

Some of my favorite people in the world. I think this is our album cover. Ha.

me because Nick Day and Don Noble, the minds behind StrangeHouse Books, made a crazy one-day trip just to come hang out and be supportive of my nomination. This meant the world to me (and still does). I am still stunned, humbled, and thrilled that The Devil’s Dreamland took home the Stoker Award for Superior Achievement in Poetry Saturday night. Being nominated along with such great talents (Donna Lynch, Marge Simon, Alessandro Manzetti, Bruce Boston, and David Cowen) was a huge honor. I could not believe I was even nominated.

I sat with a wonderful table at the banquet, which included the lovely Gwendolyn Kiste. The fact that we both got to share our wins together was really incredible. The whole experience has been surreal. Again, thank you to everyone who has supported the book and myself in any way. It means the world. You can watch the speeches from the livestream on YouTube — they start around the 3:50:00 mark, and then the first category starts around 4:19:00. As I mentioned in my speech, having my former thesis mentor, Mike Arnzen, be the one to announce that I won was a pretty special moment. Hearing my friends cheer and whoop and clap, having friends and family text me congrats and raise their glasses, was all something I will never forget. It’s giving me goosebumps and making me grin as I write this out. I love you all to death. Thank you for your support and faith when I could not always see it in myself.

Huge congratulations to all the winners and nominees!

 

 

*I always learn so much from these experiences. This year, I think I am finally learning that sometimes you may encounter someone who decides to snub or dismiss you for whatever reason, but that it always says more about their own insecurities and issues than it does your talent and how damned hard you work. I don’t have time for people like that. Instead, I am going to continue to surround myself with supportive friends and company who have often taught me and are continuing to teach me to believe in myself. The biggest thing I really did learn from this con experience is to simply believe in myself and my work, to understand that I do belong in this world and community. To all who have helped show me that through all the support and love, thank you.

It’s doubtful I’ll make it to StokerCon UK 2020, but I will absolutely see you all again in Denver for 2021!

To Be Devoured

The pre-orders for my debut novella, To Be Devoured, are now live on Amazon here! All other versions will be available when the book is out on July 29th from Unnerving.

To Be Devoured-2

From the back cover:

What does carrion taste like? Andi has to know. The vultures circling outside her home taunt and invite her to come understand the secrets hiding in their banquet of decay. Fascination morphs into an obsessive need to know what the vultures know. Andi turns to Dr. Fawning, but even the therapist cannot help Andi comprehend the secrets she’s buried beneath her anger-induced blackouts.

Her girlfriend, Luna, tries to help Andi battle her inner darkness and infatuation with the vultures. However, the desire to taste dead flesh, to stitch together wings of her own and become one with the flock sends Andi down a twisted, unforgivable path. Once she understands the secrets the vultures conceal, she must decide between abandoning the birds of prey or risk turning her loved ones into nothing more than meals to be devoured.

 

 

 

 

 

 

 

WiHM, Not All Monsters, and More, Oh My!

Screen Shot 2019-02-27 at 6.22.45 PMThis month I was really lucky to feature nine incredible ladies of horror and their work. I had intended to feature 10 ladies to echo the decade mark for Women in Horror Month’s existence, but unfortunately my last guest had some scheduling conflicts, so rather than scrambling and begging someone to do a last minute interview, I decided to write something up myself!

If you missed the nine interviews, please check them out here because holy smokes, these ladies are up to some incredible, wicked works that you don’t want to miss. A huge thank you to everyone who took time out of their schedules to join me and share more about their work, processes, identity, and more.

In addition to the interviews, I wrapped up some final decisions for the Not All Monsters anthology this month (to be published in 2020 with StrangeHouse Books). The listing is now closed, but if you’re curious about the info/theme, I’ll link it here. The anthology wasScreen Shot 2019-02-27 at 6.39.02 PM an open call for women who write horror, and I am pleased to say I received nearly 300 submissions from all across the globe! That’s a lot of badass ladies writing amazing, vicious, gorgeous, darkly beautiful stories out there.

*Side note — if you submitted to the open call awhile ago and have heard nothing back, keep an eye out. We have decided to send out the acceptances in batches in an effort to keep the book fresh in peoples’ minds since the publication won’t be until 2020. Read more about that on the publisher’s post here.

This anthology was without a doubt the biggest thing I have been an editor for to-date, and I loved it! I hope I have the opportunity to edit more things like it in the future. Here are some things I learned so far, but it’s not over yet:

*Sending out rejections is AWFUL and I hate it…but it’s a necessary part of the job. I also think most people understand that it isn’t personal, it’s all professional and based on what works best for the theme/anthology/goes with the other stories without being too similar, etc…

*Reading that many stories IS overwhelming, and I think I will adapt a better method the next time I do this

*However, seeing the creativity and different way women approached this theme was amazing

*There were a lot of similar themes based around abuse and other trauma in the stories that was heartbreaking because I just knew that so many of those writers had probably experienced something in their own life that may have led to bleeding out some cathartic remedy onto the page. So if you submitted, no matter what happens with your story, I hope you were able to purge some of the bad out and breathe a little easier. You are brave, and amazing, and I love you.

*Women are incredible. But you and I already knew that 🙂 And if anyone ever complains that there aren’t enough women writing horror out there, send them to me. I know about 300 women who are.

February has been a heavy social media month for me, and I think I’m due for a break to work on some of my own projects. Until then, happy writing. Let’s celebrate women in horror all year long!